Dreamwork as Spiritual Practice

Category: Dream Identity (Page 1 of 2)

Dreams & Internal Family Systems (IFS)

Richard Schwartz developed Internal Family Systems (IFS) as a therapy model forty years ago, and it is a highly effective approach to trauma-informed mental health care that is still evolving and being applied innovatively today. Psychotherapists who work with dreams might notice that dreamwork and IFS have striking similarities; combining these tools can have tremendous potential in their work. Outside of a therapeutic context, there’s also a naturally symbiotic relationship between the two, and bringing dreamwork and IFS together in our personal self-care and spiritual practices can result in life-changing insights and breakthroughs. Although such inner work is important, it doesn’t have to be laborious. Dreamwork and IFS both offer a sense of radical possibility, so using them to explore our psychodynamic ecosystems can feel more like play.

The IFS model draws upon our natural tendency to think of ourselves as complex multifaceted beings, recognizing that some aspects of our psyches are familiar to us while others can surprise or offend us. In IFS these parts* of the psyche are treated as sub-personalities, which might be compared to dream figures, with distinct feelings, behaviors, and motivations. Our parts, even the ones we consider problematic, all have something to contribute to the wholeness of ourselves, so IFS teaches skills and practices for communicating with these parts, to win their trust, address their concerns, and receive their gifts. 

Some parts have been forced into extreme roles in response to difficult experiences, usually in childhood. The parts known as exiles are like vulnerable children who have been hurt; because exiles carry so much pain, other parts called protectors try to keep them contained (or exiled). Protectors resemble “parentified children” themselves, and they have taken on the burdens of extreme roles (like perfectionism, being overly critical, people-pleasing, etc.) in a misguided effort to control pain. Such strategies might once have been useful, but have become unsustainable, distorted, or ineffective over time, and often cause further harm. Protectors and exiles interact with one another in ways that can resemble a family in distress.

IFS also affirms that behind the ecology of parts, our original nature, called the Self, has an infinite capacity for qualities like curiosity, calm, clarity, compassion, courage, creativity, confidence and connectedness. If parts are comparable to dream figures, the Self is the deeper wisdom of the dream and the dreamer. The presence and guidance of Self means a happier inner family, providing an experience like waking from a nightmare and recognizing that you are the dreamer of the dream, not its victim. Even the most disturbed and disturbing parts or dream figures have reasons for doing what they are doing. When you, the Self or dreamer, create a trusting relationship with troubled parts or dream figures, you understand and honor what they’ve been trying to accomplish, and help them step out of extreme roles or patterns of suffering that are stuck in the past. Once unburdened, your parts can contribute their unique gifts to your overall well-being, and that of the larger community. This may sound like make believe, but the process feels astonishingly real, and the ensuing transformation can be remarkable. 

*

For a brief example of how dreamwork and IFS might play together, here’s a dream with my commentary:

I’m a patient in the hospital, getting better, but still weak and fragile.

[The dream ego often acts as a protector, so her self-description might indicate the burdensome role she uses to avoid or manage pain. Here, the protector identifies with being “weak and fragile.”]

Another patient, a sick toddler, is crying. 

[Exiles typically appear in dreams as children or animals in distress.] 

Holly is here visiting me. She comforts the toddler, but I’m not sure we should be taking him out of his crib.

[My partner Holly is sometimes a stand-in for Self in my dreams. I see her as someone who can handle things that I can’t handle. In waking life and in dreams, I often have mixed feelings about this! Protectors are likely to distrust the way that Self relates to exiles, at least at first. ]

The baby is wriggling, so Holly lets him walk around a little. But someone opens the door, and the toddler becomes a cat and scoots out. I’m afraid he will get hurt, or disturb other patients and get us in trouble. 

[The transformation and escape suggest that this exile has been spontaneously healed by the loving attention of Self. As a cat, the child no longer needs to be guarded by the protector, but the protector is afraid to let him go.]

I chase and catch the cat, and he nips my hand. I get mad at Holly, telling her that I’m supposed to be the sick one and don’t have the energy to chase cats! Besides, she’s the one who let him out, so she should try catching him. She picks him up, but then it’s me holding him. Maybe I’ve become Holly—I seem strong enough to manage him gently now. 

[The protector herself has transformed here. As a weak patient trying to grab the cat, she got bitten, but when she becomes Holly-Self, she is able to handle the cat gently so nobody gets hurt.] 

Now, the whole dream changes and I’m no longer trying to return the cat to the hospital room. Instead, I’m getting to know the hospital staff and patients, offering them my support. 

[Now Holly is no longer here, so the dream ego has become fully Self, getting acquainted with various other parts in ways that could potentially support them.]

*

This is an oversimplification of the way IFS might look in dreamwork, but it demonstrates how the dream itself can enact a healing process with an IFS cast of characters. The dream ego (protector) is no longer anxious or weak by the end of the dream; the cat is no longer a sick toddler (exile) confined to a hospital room. The dreamer wakes up feeling that some inner dilemma has been resolved. 

In most cases, dream figures don’t fit quite so easily into IFS roles, but the IFS model can still be applied helpfully when dreams and the feelings they evoke might otherwise be baffling or distressing. For example, I dreamed recently that I was behaving like “an absent-minded professor,” and woke feeling upset without knowing why. Recognizing the upset part of me as an exile, I asked her what she needed me to know, and distinctly “heard” her reply that she didn’t trust me to keep her safe. She showed me an image of myself as a small child: my father was “an absent-minded professor,” and although some parts of me found his eccentricities amusing, there was a vulnerable part that felt frightened and hurt when he didn’t behave like an adult I could depend on. The dream pointed out that a protector in me now (represented by the dream ego) acts like my father, deflecting painful emotions by acting confused and disorganized—and this eccentric behavior is threatening for the vulnerable exile, whose upset feelings emerge upon awakening. IFS techniques support my Self-capacity to be responsible and trustworthy, so I can attend to strong feelings (exiles) without being overwhelmed by them, and without resorting to absent-mindedness or other problematic strategies to avoid them. The dream drew my attention to an inner dynamic that I can now address compassionately. 

I invite you to explore IFS as you explore your dreams, with curiosity and the other “C” words that distinguish the Self. What happens to our dreamwork when we believe that even troubling dreams are meaningful, and troubled dream figures are potentially helpful? What would happen to our lives if we could trust that we are, at the core, truly able to handle our “cats” (our strong feelings, difficult challenges and disturbing dreams)—with kindness, wisdom, and grace? 

*Boldface indicates IFS terminology.

[This article was originally published in in the Winter, 2024 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

Dreams & Gender

If a dreamer describes a dream figure simply as “someone” or “a person,” one of the first questions to ask is typically “Male or female?” The answer, however, is often, “I’m not sure—Maybe female?” or “Maybe male?” Gender can sometimes be difficult to pin down in dreams. But perhaps that’s because gender is actually a more fluid concept than we tend to think. Because rigid binary categories exist in our culture, people and animals (and, in some languages, objects as well) get assigned to those categories. Of course, there’s a gender revolution happening all over the world these days, and more genders than the most familiar two are gaining wider recognition. Are our dreams reflecting this increased recognition of gender diversity? Or have dreams, perhaps, been gender diverse all along, and it is only now that we are being called upon to acknowledge—or at least notice—that things aren’t as binary as we believed? Though simplistic ideas about identity may have dominated our thinking until recently, it seems pretty clear that diversity and fluidity have always existed, in our dreams as well as in the waking world.

I’ve been trying to notice my own gender biases in dreamwork, as I’ve been questioning those biases in waking life. In the process, I’m feeling more creative as a dreamworker, and freer as a human being. Any trend that shifts our “us-and-them” categories can potentially be healthier for all of us, though we have to be willing to feel uncomfortable at times. If there are more kinds of categories, we are less likely to identify too exclusively with any one way of being. We’re also more likely to find that every “unique” personal challenge we face is, almost certainly, shared by lots of other people in this multifaceted world. It’s meaningful to embrace the identity that seems to fit best (and the communities that form around that identity), as long as we hold our categories lightly, recognizing that we are defined by much more than any single self-concept. 

In dreams, it’s quite common for dream figures to be maybe-male, maybe-female, maybe-both/neither. They might be maybe-old, maybe-young, maybe-ageless or age-shifting. They might also be human-but-also-cat, or tree, or robot, or shape-shifting. In most dreams, I don’t actually know exactly what or who I am, unless someone asks me (in the dream or afterward) and then I feel obliged to decide. In some languages, people, animals, and objects are described by verbs rather than nouns: it’s not what you are, it’s what you’re being. I suspect that a dream-like strangeness represents something very close to the true nature of reality: at a fundamental level everything is movement and change, in shifting patterns of interrelated energies. When you look for an “elementary particle” you find “there’s no there there.” We are not static identities, we are life itself, living.

But, in a world where categories do exist, we’re often called upon to define and redefine ourselves. Wouldn’t it be great if this could be playful, rather than a struggle? If some categories weren’t privileged over others, we might all enjoy experimenting rather than settling down with one identity absolutely. What if we approached dreamwork this way? In my ideal dream world, “beings” are not assigned absolute categories—they’re just being and doing whatever they are being and doing, interacting with one another and changing one another in the process. Maybe we need a kind of dreamwork that leaves more room in our minds to ask questions without definite answers. 

In waking life, I’ve been defined as female, but I never really felt female. I’ve been mistaken for male, but never really felt male. I’ve identified as a lesbian, but how can I define myself as a woman-attracted-to-women when our society’s understanding of “woman” doesn’t fit either me or my spouse? Now that there are more possibilities that more people are likely to recognize, I’ve become aware that a “nonbinary” gender identity describes me better than “female” or “male” ever could. “Nonbinary” was not a concept that was available to me when I was growing up, but, in my dreams and in the life I’ve lived, I’ve been nonbinary all along. 

If you look back at some of your own dreams, perhaps you’ll notice that you are not always sure of the gender of every dream figure. Perhaps you’ll notice that you can’t always pin down your own gender, or age, or even species. Perhaps you are only a point-of-view in the dream rather than a distinct character at all. When writing down a dream or telling it to others, we have to use pronouns, which makes it more difficult to convey the actual dream experience, limiting our imaginations when it comes to finding that dream meaningful. Similarly, once we have assigned a particular identity to an individual we meet in waking life (even if the identity fits, and the person embraces it), we relate to that individual through the filtering lens of the identity, and this limits our capacity to respond spontaneously, naturally, and creatively to the relationship dynamic as it unfolds. Since our physical existence and even our dream lives depend on subject/object distinctions, we may need to create categories in order to have experiences at all, but those categories don’t need to be as rigid as we tend to make them. 

Notice how awkward it is to pin down gender in this dream fragment:

I’m staying in a big house where I’ve been assigned a tiny room. Holly is staying in a nearby room with several bunkbeds and room-mates. I want to get permission from the landlord (or landlady?) for her (Holly) to sleep in my room with me, even though we’d have to share a narrow cot…. Later, we’re sitting outside under a big tree.

In working with the dream, I become aware that my awkward way of identifying the landlord/landlady and Holly might not be accidental: there’s meaning in the difficulty of assigning genders, just as there’s meaning in the room assignments Holly and I have been given. When I stop focusing on defining terms (deciding how to describe the one who owns the house, or the one who belongs in a particular room), I remember the actual emotions and sensations: the smallness of my room, the crowdedness of Holly’s room, the narrowness of the cot, the need to get permission to share a bed with my own spouse. In the end, I give myself permission, and relax a little. Instead of sleeping on that cot, we can move on into the next phase of the dream and enjoy the fresh air together. There’s freedom in deciding not to decide, in letting go of the dilemma of who gets to choose and who sleeps where.

The next time you get caught up in a confining dream or a defining identity, try giving yourself permission to relax a little. I’ll meet you outside, under that big tree.

[This article was originally published in in the Fall, 2023 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

Dreamwork & Race

Whenever a participant in one of my groups brings a dream that includes BIPOC [Black, Indigenous, or People of Color] dream figures, I inwardly cringe. My dream group members are mostly white, and their racially-inflected dreams can be a minefield of stereotypes and projections. I wish I could write about this from some moral high ground, but I can’t. As a white person in the United States, my own unconscious mind is also filled with buried racial bombs, and though I’d love to claim that I’m not the one who buried them, I’ve been living happily in a land shielded by the presence of these deadly munitions all my life. 

When recounting racially-inflected—in fact, racist—dreams, many group members are sensitive to the unconscious biases that these dreams reveal, and they acknowledge this with regret and sometimes shame. I hope I have the courage to expose myself as they do, in the interests of learning and changing at the deepest level, but the fact that we can see our own racism doesn’t make us less racist, and sometimes exposing ourselves can be a preemptive tactic to keep others from exposing us. Still, it’s less excruciating to work with these dreams if the racist implications can be openly discussed with the dreamer. Some dreamers, however, are oblivious to any implicit racism or, perhaps worse, sense that the “wrong conclusions” might be drawn from their dreams and hedge with justifications and denials. I’m afraid that my own dread as we tiptoe around our minefields doesn’t just come from the unpleasantness of hearing people I like say things that appall me, it’s also from a fear of dealing with any of this at all. Like most white people, I can avoid dealing with racism just by surrounding myself with the safety zones of whiteness—and it is those white zones of privileged obtuseness that make racism such a clear and present danger to the BIPOC community, while corrupting and corroding our collective humanity.

White people can easily take fundamentals like safety for granted, which is why I’m addressing a “we” in this article that refers particularly to white people. Although dreamers of all ethnic and cultural backgrounds can enjoy reading about meaningful dreamwork issues, BIPOC dreamworkers probably won’t be particularly surprised or enlightened by anything I have to say about white people’s racially-inflected dreams (though I’m grateful if you do choose to read on). On the other hand, I hope that all white dreamworkers will choose to reflect on issues that may cause us discomfort, letting an awareness of potential racist implications inform our work. I’ve learned a lot by overcoming my desire to avoid this subject, and dreamwork has been an excellent way to do some of that essential learning. 

While white people’s dreams with BIPOC dream figures inevitably reflect the societal racism (and sexism, and cultural assumptions of all kinds) that we have absorbed, it’s helpful to remember that dreams reflect unconscious attitudes that are not necessarily congruent with our conscious intentions. Talking about our racist dreams should not become an exercise in blaming ourselves and one another, but should instead expose the ugly psychological and sociological scaffolding that has structured some of our fundamental beliefs and behaviors. We do this hard work so that we’ll be better able to refuse to perpetuate harmful and shameful systems even when they benefit us personally.

The presence of a person of a different race in your dream isn’t automatically racist—our waking world is populated by people of differing ethnicities and so is our dreaming world. However, all dream figures have stereotypical elements (representing categories or types, not just personal qualities), so they exhibit our prejudices. BIPOC characters in white people’s dreams often end up being cast in roles that are blatantly racist: lacking individuality, and emphasizing reductionist stereotypes. Working with such dreams, do we accept these stereotypes, or do we face and challenge them? It is essential that our ways of working with our own or others’ dreams focus on the uniqueness and humanity of every dream figure, while simultaneously acknowledging the roles that our dreams have assigned to them. Our dreams can exhibit a caste system—ranking figures according to our own scale of values. This is not accidental, and we must commit ourselves to questioning the demeaning systems within our dreamworlds that reflect similar systems in the waking world.

A white person’s dream of a BIPOC dream figure can be both racist and anti-racist, since that figure’s presence and our response gives us an opportunity to see what we are assuming, and opens up the possibility of seeing something more. Dream figures aren’t just there to reinforce and represent our prejudices, they are uniquely created and creative beings with the capacity to surprise us and change us. The more we recognize our stereotypical beliefs and how they are reflected in a particular dream figure, the more we discover how much we don’t know. This individual figure appears in my dream or your dream for a reason, and when we see them in their wholeness, we expand ourselves as well. Paradoxically, any dream figure (even blatantly stereotypical ones) can teach us to see our own blind spots, confronting our prejudices with humor or deadly seriousness; subtlety or shocking crudeness; compassion, or a gut punch.

I am not an expert on racially-inflected dreams, but perhaps my clumsy “beginner’s mind” is more useful than expertise in working with such dreams. Racially-inflected dreams make me uncomfortable—and they should make me uncomfortable. Racist social structures have allowed too many white people to be too comfortable for too long, at the expense of others who can never let their guard down without their vulnerability being exploited. When a white dreamer brings me a racially-inflected dream, my discomfort is a flashing red light that says, “Stop. Pay attention. This is important. Don’t respond by rote, because your knee-jerk response will probably be an attempt to escape.” The alert message I get from my discomfort gives me good advice for any kind of dreamwork: don’t take your expertise for granted, don’t trust your own assumptions (assumptions are the opposite of insights), don’t make excuses or try to prove anything, just listen to the dream and what it says, and invite others to do this with you. 

Black people, Indigenous people and People of Color have been insufficiently heard and seen as full human beings by white people like myself, no matter how anti-racist we believe ourselves to be and want to be. That’s an essential thing to know. So, at the very least, when a figure in my dream is BIPOC, I know immediately that this dream figure is someone who should be fully seen and heard by the white dreamer (me) and by other white dreamers who might explore the dream with me. When white people dream up BIPOC characters, it’s likely that those characters, more than any white dream figures, will be carrying the information or insight that we most need to receive from this particular dream. 

White dreamworkers do not need to smother our BIPOC peers with questions and concerns as we try to prove our “wokeness” or genuinely wake ourselves up—instead we can turn to our own dreams, question ourselves and our dream figures, and let them teach us what we still need to learn. BIPOC dreamworkers can learn from one another and from their own dreams about the needs and challenges they face in their own lives—and white people need to take responsibility for doing likewise, so that our lives are not being lived at the expense of theirs. Most of us share a hope that if we (all people) do our personal homework we’ll overcome our fears and assumptions about each other, demolish the power structures of white supremacy, and finally let our individual dreams invite us into an authentic understanding of our common humanity, our common dream. We’re not there yet. In the meantime, let’s learn to endure our mutual discomfort , integrate our real pain, and do the hard work even as we dream big.

[This article was originally published in in the Spring, 2022 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

Virtual Reality & Dreaming, Part 2

[This is a recent article I wrote for DreamTime Magazine to take my exploration of Virtual Reality and dreaming a step further.]

I enter a hidden workshop, and find the tools for making and decorating an ornate mask. Wearing the mask I’ve made, I’m transported to another world where I glimpse a figure in the distance who is also wearing a mask. I return to my workshop, make a copy of the stranger’s mask, put it on, and become that stranger. I’m standing where the stranger was standing, doing what the stranger was doing! By wearing different masks, becoming different people, I am able to travel further and further into an unfolding story….

This doesn’t sound exactly like a dream—the events and images are a bit more predictable than in a typical dream—but it definitely has some dream-like elements: identity and perspective shift, and the mythical settings, vivid sense impressions and compelling narrative create a pervasive quality of significance and wonder. The experience of maskmaking prompts me to question myself and examine my own responses as if responding to a dream. I ask myself: How does my personality change in different contexts? Am I driven to acquire more and more powerful disguises, to conquer more and more worlds, or am I searching for a meaningful relationship with my own creativity and integrity? 

You may have guessed by now that I’ve been describing a Virtual Reality game. A couple years ago, I wrote a column about VR here, but at the time I was a newby and by now I’ve become something of an “expert,” at least on the softer side of VR (there’s a whole range of hardcore violent VR that I’ve avoided). Although VR games are not entirely dream-like, they’re more like dreams than like ordinary video games, and I’ve been studying them extensively to learn not only how they can contribute to my own healing from PTSD, but also to better understand how this medium might be helpful in responding to much greater questions and concerns in the world today. In short, I’ve come to believe that, at its best, VR can contribute to our sense of safety and belonging by supporting our natural creativity, resilience, patience, playfulness, and openness. 

VR mobilizes some of the same inner resources as dreams. Like a powerful dream, a well-crafted VR game gives us problems we can solve; it engages our bodies and emotions, as well as our minds, in finding answers and facing challenges. So, if you haven’t yet experienced it for yourself, I’d like to invite you to try on the “mask”—a VR headset. Now, you are the mask-maker, stepping into the stranger’s VR world, and I can give you a brief guided tour. 

The Maskmaker falls into the genre of problem-solving VR games, and many of our dreams focus on problem-solving as well. These games or dreams can be fairly mundane and practical (basic VR puzzles or simulations might be compared to dreams about doing the dishes or studying for exams), but the better ones are wildly imaginative and immersive. Ordinary activities in dreams or VR like gardening, cooking, driving, crafts or sports (there’s VR snowboarding, believe it or not) can activate the senses and refresh our mindfulness about the things we do in our everyday lives. In fact, dreams and VR both improve our “real world” problem-solving skills because our brains don’t distinguish between dream experiences, Virtual Reality experiences, and “Real Reality” experiences: as far as our brains are concerned, they are all learning experiences. But dreams and VR also offer possibilities that RR doesn’t offer. Sure you can fly, you can breathe underwater… but did you know you could raise manatee-triceratops-cows and feed them kebabs? or solve a mystery at an abandoned space outpost? or figure out how to pickle a tractor? These dream-like games become their own real reality and you forget that they are “virtual” just as you might forget that you are dreaming. You are challenged to consider different ways of approaching not only the virtual or dream worlds, but also the world you inhabit every day. When you are fixing breakfast, could you manage it if you had baseball bats for arms? Do you suppose your computer might be curious about where you go on vacation? What would your shadow look like if you were living inside a mirror within a mirror within a mirror? 

It’s so easy to become stuck in patterns of thought that not only make our own lives smaller, but actually endanger those around us and the earth itself. Climate catastrophe, rampant bigotry, brutality and greed are all the results of limited, shallow thinking, choices and actions. I believe that dreams deepen us by giving us a glimpse of possibilities beyond our own immediate interests and expectations. VR can do the same. Both VR and dreams regularly use humor (especially silly exaggerration and surprise) to keep us from being too sure of ourselves, inviting our minds to do absurd stretching exercises that will ultimately make us more flexible.

The biggest stretch for the mind might be to fully include the body. Yes, a lot of VR games literally give you a workout, but there are a few that go far beyond the virtual gym. Some VR sports, and some music games like the one called Beat Saber, approach the ecstatic. Our “real world” teaches us to be bodiless, except when we are taking exercise like bitter medicine. In VR, exercise can be bliss. In Beat Saber, for example, you are simply cutting colored blocks with a light saber but the exquisitely choreographed rhythm patterns become increasingly complex with each level, and your body becomes joyously, magically, more and more free. It’s remarkable what the body (even a tired old body like mine!) can do without the mind’s excessive coaching from the sidelines. 

If you dream that you are strong, beautiful, capable—it’s not just “pretend.” You actually wake up feeling stronger, more beautiful, more capable. The nerve pathways and micro-muscles have been sparking; you’ve been expanding your idea of who you are, and extending your body’s limits (limits that probably aren’t as absolute as your mind believes). In a VR game like Beat Saber, you discover this same dream-like potential of the embodied self, and you suddenly know, really know, body and soul, that you have greater inner resources than you could have guessed. And, when you can know this in an embodied way, it means that maybe we all have far more resources than we could have guessed. With such resources—just maybe—there’s more hope for our present lives, and for the future of our world. 

The power of dreaming, and of Virtual Reality, can be abused, of course. When you put on a mask, the disguise can define you or disguise you in dangerous ways. But if you take responsibility for who you become, you can create all kinds of masks and choose how to wear them. I hope that those who know how to dream deeply and wisely will be the ones to create the future of VR, and the future of our shared “Real Reality” as well. Those dreamers could be us. 

[This article was originally published in the Spring, 2023 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

Virtual Reality & Dreaming, Part 1

[At the peak of COVID, I wrote this article about a technology that was (and still is) meaningful for me in coping with difficult circumstances. More recently, I wrote a second article to consider the ways that my experience of Virtual Reality had evolved, so I’ll share that here as well—in Part 2, next month. Both of these articles reflect upon the similarities and differences between dreaming and VR. My personal priority in doing dreamwork has always revolved around the potential for opening our minds to new possibilities, so exploring VR from this angle comes naturally to me. I hope that you will find the subject as intriguing as I do!]

The new Virtual Reality technology, now available for reasonably-priced popular use, opens up some breath-taking possibilities, that might be applied to our dreaming and waking lives. With a heavy “visor” (resembling diving goggles) and simple hand controls, you experience a fresh reality. It’s incredibly persuasive. VR isn’t exactly a dream, but can potentially provide a dream-like alchemical recipe for personal and social transformation. 

I was introduced to this technology as a patient in a Pain Clinic this past summer. I had severe PTSD a year after traumatic spinal surgery, and for months I’d been having episodes of excruciating back spasms that couldn’t be controlled, my heart rhythms were unstable, and my nervous system was in shreds. Slowly and with great care, the pain experts were guiding my healing, and that process included an experimental trial with Virtual Reality. 

In my first VR session, I found myself floating down a sparkling river canyon while giant otters on all sides waited for me to shoot rainbow fish to them. This was actually a pretty rudimentary VR program, and the session only lasted ten minutes, but it gave me a sense of glorious spaciousness, relief from pain and anxiety, and a chance to encounter a truly unthreatening experience with the joy of a child discovering the world for the first time. Like an ecstatic dream, it freed my mind and heart.

I probably needed this experience more than the average person because of my health issues, but we could all use an opening right now. In the era of COVID, the small world we inhabit can seem tedious and stifling, when it’s not outright alarming. Our imaginations may suffer from a lack of meaningful inspiration and a surfeit of distracting or overwhelming stimulation. These times only accentuate our human tendency to get stuck in repetitive patterns that create and perpetuate suffering. Confined to an over-familiar environment, masked and buffered from our neighbors, perhaps faced with desperate stresses and choices, we share only screen presence and grow sick of the confines of our own minds. 

Maybe we are fortunate enough not to be immediately afflicted by economic pressures, environmental disasters, family emergencies, health concerns or existential crises. Still, for most of us, the past year has brought some hard reckonings with the limitations of our way of life. So where can we go for a new perspective? Of course, we turn to dreams. But, dreams can sometimes be difficult to access, especially if our waking lives are energetically exhausting. Virtual Reality could be a powerful tool for reaching new parts of our brains using the same approach that dreams use to develop and exercise under-used neurological pathways, expanding our mental breathing room and creative possibilities. And, as a side benefit, VR can accentuate dreams themselves, making them more vivid and easier to recall.

Of course, any technology that offers instant sensory gratification can become problematic if it leads to avoidant or addictive behavior. On a gloomy, wet winter day, confined to my stuffy little house, it might be too easy to retreat completely into this thrilling realm of color and light. But I can resist the impulse to overdo it: the visor is rather uncomfortable, and the natural world outside is actually where I want to live my life. Just as even the most pleasant dreams don’t usually tempt us to sleep our days away, VR can enhance our appreciation of our RR (Real Reality), rather than enticing us to escape from it.

Some members of my Pain Clinic team have been studying the therapeutic possibilities of VR.  With my own home system now, I’m doing research on their (and my own) behalf—reporting back as I explore some of the most recent popular “games,” to assess the benefits and challenges that Virtual Reality might offer neurological patients like myself, or anyone experiencing “real world” stress, depression or anxiety.

I’ve been swimming with whales, gazing into unfolding mandalas, hanging by my fingertips from cliff faces, planting magical gardens, tumbling down rabbit holes, encountering thrilling surprises and staggering beauty… all while sitting comfortably in a chair. Though many of the apps designed for VR are just glorified video games full of high-speed, combat-oriented, adrenaline-pumping action, it is also possible to find apps that create a positive, transformative virtual environment. These apps, described as “experiences” rather than “games,” are remarkably similar to dreams in their capacity to challenge stale patterns of perception and thought. Personally, I try to enter a virtual world with the same respectful, even reverent, curiosity with which I approach my dreams. I expect to be astonished, sometimes confused or frustrated, often delighted, occasionally blown away. I know I will learn something. 

With some apps, there are puzzles to be solved—but unlike with my everyday problems, I feel invited to linger and explore rather than pressured to figure things out. Other apps are simply playful, peaceful, or lovely—offering a sense of expansiveness and joy that comes as a tremendous relief when the world seems to present only dark prospects. 

One of my favorite VR apps lets me experience the intense challenge of high altitude rock-climbing. In waking life or even in dreams I have severe vertigo and couldn’t begin to tackle these heights. But while the VR experience is vividly realistic, the vertigo is manageable, and I can glory in being thousands of feet above the ground, grappling for a grip on crumbling sandstone. It’s great training for a nervous system that has been primed by PTSD to react to every challenge as a major threat. VR climbing makes my palms sweat and activates the small muscles throughout my body; I grunt and gasp as I struggle upward; I fall again and again, try again and again, until I clamber onto the top. The tension mounts, and my nervous system gets charged up. But I’m learning to de-escalate, transforming raw fear into concentrated focus, vitality, and sensitivity to my environment. In climb after climb, I’m able to take risks in a safe space and discover how strong I am, how resilient I am. I’m learning to trust my own body again. A life-like, perhaps dream-inspired, “game” intended for popular entertainment, invented by people I will never meet, has given me a personal opportunity to heal and grow.

The past year has presented us with challenges that our old, familiar patterns of thought and behavior couldn’t meet. We’ve all needed to dream up new ways of being hopeful, new ways of trusting that we can change for the better. VR can be more than a personal tool or toy; it can be a social catalyst. We can co-create this reality as “players,” by choosing how we conduct ourselves within any given situation. 

When I say “this reality,” I’m not just talking about VR now, I’m talking about a potential that exists in all of our experiences, which are never “just a game” or “just a dream” or “just the same old thing.” Whatever we do to heal and inspire ourselves, we invariably share with one another just by living together in our own unique, multifaceted time and place. So, please believe that there are wonders everywhere—it’s all a kind of dream—and let yourself be surprised, virtually and truly, every moment!

[This article was originally published in the Spring, 2021 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

The Body’s Metamorphosis: Posture & Stance As Dreams

The countdown has begun, and my body knows it. In a few days, I’ll be going into the hospital for a major spinal surgery, and probably won’t be home again for several weeks. When I do get home, after hospitalization and rehabilitation, my body will not be the same; it will not be this body. Not only will I have nine fused vertebrae and a permanently straight spine, but I’ll also have a different stance relative to the world around me, other people, and myself. I will have to stand, sit, and lie down differently. I won’t be able to move in familiar ways, and I might be able to move in new ways, or in ways that I haven’t moved in years. Putting on my socks, washing my hair, feeding the cats, reading a book, hugging Holly and my friends, walking, eating, sleeping, maybe even dreaming… everything will be different. 

While my mind is trying to tell me that this is just a medical procedure, a repair job, no big deal—my body knows better. As soon as the surgery date was finally set after months of waiting, my body figured out what was about to happen and, like a dog who gets wind of the fact that she is about to be taken to the vet, my body reacted with visceral, physical fear—shivering, glancing around furtively for a place to hide, losing appetite and concentration, flinching at small sounds. While my mind tries to calm me down, my body remembers past surgeries and injuries. She knows what’s coming. 

It is impossible to separate myself from this body, and I wouldn’t want to. The body has a kind of clarity that is expressed in her instant response to cues in her environment. I depend upon the way she breathes and lives without the mind’s conscious guidance, the way she feels truths from the inside, the way she moves into action on my behalf, her courage and cowardice, her competence and clumsiness, her compassion and raw vulnerability. These qualities are the body’s language, and also fundamental aspects of the person I believe myself to be. So, no matter what my mind tries to tell me, when my body is changed by this surgery, there is going to be an essential change in who I am.

Posture and stance and gait make us recognizable to others, almost as much as facial features do. When I had extensive radiation treatments for cancer in my thirties, the molecular disruption began to work on my body gradually, over so many years that the physical changes were not much different from the ordinary changes of aging. Slowly, my muscles got weaker, my heart had to work harder to keep up, my shoulders slumped, and my neck eased into a curve. Then, three years ago, the changes sped up. My posture deteriorated noticeably, and I began to develop ways of moving to compensate for the wasting muscles in my upper body. Finally, about three months ago, the cascading changes became an avalanche. Within these few months, I’ve become someone who cannot hold up her head for more than a few moments at a time. I slouch, stumble (because the weight of my head throws me off balance), and peer up at people from an awkward angle, my head dangling or propped on my hand. I’m in pain most of the time, and exhausted all the time.

Physical symptoms can be communications from our deepest selves in much the same way as dreams. If a character in your dream is slumped and “cannot hold up her head,” this character will evoke certain instinctive responses and assumptions: She could be lazy, or embarrassed, or hiding something. Maybe she represents a part of me, or another person or situation, that can’t stand up and face the world. Similarly, I notice that the more my body’s posture crumbles, the more uncertain and insecure I feel. There’s even a strong sense of shame, humiliation. 

I’m seeing this punishing dissolution of my physical confidence as a difficult challenge, but also trying to see its positive, transformative potential as well. Just as I might ask “Why am I having this particular dream at this particular time?” I might also ask “Why is this happening to my body? Why is this happening now?” The immediate answer comes from my body herself. There’s the predictable but apt image of a chrysalis. The confident caterpillar must go into her private cocoon and completely disintegrate before becoming any kind of butterfly or moth. My body recognizes the metaphors of metamorphosis, and understands the imperative of letting go.

I’ve been on the threshold of big personal change for a long time, contentedly occupying my larval identity as well as I can. Although I’ve been learning and growing through many metamorphoses over the course of my lifetime so far, this one could be the most irrevocable (short of death). Physically as well as developmentally, I’ve reached the limits of my old posture, my stance, myself. I’m not sustainable anymore. There’s no more adapting to be done—my body will not, cannot, cooperate. So, along with all of the physical changes, I must lose or release my plans for myself—my ambitions, my certainties, my habits, my resistances, my needs, my resentments, my strong stride and my adroit rationalizations. Maybe some of this stuff will be returned to me in another form, maybe not. Metaphorically and literally, my stance is changing; my posture is changing; my gait is changing. My relationships with others are changing because, although my care for them is consistent, I don’t know (or care so much) how I appear to them. My slumped posture reflects a genuine desire to humble myself, to step back into the shadows, into the secret chrysalis where the deepest possible metamorphosis can happen. 

These are the last few days for my body to be as it is: in a state of flux and confusion. For years when I was younger, I dreamed of initiations. Then, for many more years, I dreamed of graduations. Now, the graduation dreams have stopped. Have I graduated? What happens next? Post-surgery, I’ll have a new body with a straight spine. Will I recognize myself in this new body? Will other see me differently when my body is upright, stiff and strange, when I can’t tilt my head back to watch the geese fly over, when I can’t dance fluidly or even sway to music, when I can’t bend down to look at a friend’s snapdragons, or wrestle and play with a puppy? Will my rigid posture make me a more rigid person? Or will I stand tall, with the grace and flexibility of a tree, spreading my branches in the sun? 

I’m going into this surgery not knowing what the outcome will be. I might have less pain and more mobility than I do now. Or, there might be more pain, more disability. The unknown stuns me. For now, I’m allowing myself to come apart, piece by piece, trusting the process, open to the possibilities, afraid and excited. 

Human beings have always had rites of passage for big, transformative life events, and I find that I’m instinctively following some ancient rituals of preparation. Yesterday, I got my hair cut very short so that it will be easier to wash it when I’m recovering—a practical motive, but one that recalls the ceremonies of initiates entering a monastery, or recruits going into the army. Cutting the hair is preparation for sacrifice—giving up the old stance, the old appearance, the old self, before the new one can come into being. When I was about to start chemotherapy 24 years ago, I had my head shaved (anticipating that it would all fall out anyway). Just before walking the Camino de Santiago three years ago, I got a short haircut like the one I’ve got now. I make my posture consistent with my experience: the shorn hair symbolizing vulnerability, humility, a kind of self-erasure. 

The night before surgery and the morning of surgery, I’ll shower with antibacterial soap, erasing my own familiar smell. When I’m leaving for the hospital, I will remove my necklace, my wedding ring. I will empty my pockets. I will carry nothing. I will say good-bye to Holly before I’m taken into the operating room. Under anesthesia, I will become nothing for a while. And, I will trust in my own restoration, in a new form, a new body.

It’s no coincidence that my largest scar will be on my back, where I will never see it directly. This kind of deep change is not my business—at least not the business of my busy self-defining self. Big change happens behind my back. My body will know it, though. And I think my soul knows it already. When I come out of surgery, there will be more space in me—more spaciousness because I will not be able to confine myself to what I was before. I will be emptier, and there will be more room for life itself to expand whoever I am. Going through such an experience does not make me special or important, but it makes me feel that I am precious. My whole life is precious, and includes every possible posture, every way of walking, every stance, every opening. I’m nothing but infinite transformation, infinite dissolution, infinite manifestation, infinite mystery.

This is true for you, too—whatever you think of yourself will change, and every change is a chance to expand and include. You are not what you think you are, yet somehow you know yourself. When you see me next, I will be different and so will you—yet somehow we will recognize each other.

[Note: Kirsten had her surgery on May 1st. This post was written a few days before. If you’d like to follow her recovery, you can go to the Caring Bridge website, enter “Kirsten Backstrom,” and you will find journal entries and updates from Kirsten and Holly there.]

The “Unreliable Narrator” in Dreams

coffee cup 01Can I trust the opinions and emotions of my dream-self? The dream-ego (the “I” character in the dream) is the most likely to share my waking point-of-view about dream events. As I’m remembering and writing or telling the dream, I think of the dream-ego as “me” and can easily take it for granted that what the dream-ego thinks and feels reliably reflects the “truth” about the dream situation. But let’s look more closely at this…

The Jungian dream explorer James Hillman has said that “in a dream the ego is usually wrong”—meaning that the dream-ego tends to apply a waking-life worldview to the dream world, and thus to misinterpret dream events. The dream-ego generally shares the waking ego’s assumptions and prejudices, but the dream world as a whole may have surprisingly different perspectives and possibilities to offer.

As I look at my dream, I need to remember that even in waking life, my own view is not the only way of looking at things—I must question this view in the light of others’ input. In the dream world, this is even more true, because dreams are almost always telling me more than my conscious mind already knows (see Jeremy Taylor’s Dream Work Tool Kit #4). The dream-ego’s view should be taken as only one out of many possible ways of understanding dream events. What does the rest of the dream have to say? What other points-of-view are available?

A Rib Comes Out of Me: I feel a sharp point sticking out of my left side, and when I tug on it, a long, thin, curved rib bone comes out. I hold my side, expecting to find a wound, but there is no mark, no pain, no blood. The rib has come out clean and white. I go to a professor—a pompous, arrogant fellow, who immediately says we should put the rib into a solution of coffee, so that its true, natural color will be revealed. I don’t really want the rib to get stained, so I say sarcastically, “That will work fine if its natural color is coffee-colored.” I keep asking him why and how the rib could have come out so cleanly, without leaving a mark or being smeared with blood. The professor dismisses my question, saying that this sort of thing (a rib coming out) only happens to “end-stage alcoholics with orgasm dysfunction.” I’m mortified and defensive—that description does not apply to me! He clearly does not know what he’s talking about. I certainly won’t tell him that the rib came from me.

I worked with this dream in my peer dream group, and the first insights that came up were consistent with the dream-ego’s opinion about the situation. Something strangely beautiful and with creative potential had “come out of me” (like Adam’s rib…) and the arrogant fellow (patriarchal male? inner critic?) was trying to diminish its significance (by staining the rib and implying that its “true color” was stained). He was also disparaging the source of this new creation (describing her/me as damaged or weak-willed). In the group, we all had a tendency to dismiss the professor’s suggestions, reinforcing the dream-ego’s negative response to him.

The professor was evidently an offensive character, and the statements he made were incorrect in a literal sense, so it seemed reasonable to assume he represented a mistaken point-of-view… Clearly, since I’m not an alcoholic nor do I have “orgasm dysfunction,” he’s got it all wrong—although the discomfort and defensiveness of my response both in the dream and about the dream are suggestive… There’s nothing I’m trying to hide, is there? The rib was simple and clean and left no wound, and that’s a good thing, right? Why stain it? Isn’t clean white its “natural color”?

Well, the next step was, of course, to start questioning these assumptions. Continue reading

Dream Identity and the Independence of Images

shore 04One way of looking at a dream is to say that the whole dream comes from the mind of the dreamer, so all of the images in the dream are aspects of the dreamer. But that is just one way of looking at the dream.

If I look at waking life in that same way, I can also say that whoever or whatever I encounter in waking life is a projection of myself. Since I see each person through my own particular lens, the person I see is at least partially my own creation, and the way I see that person reflects certain attitudes and qualities of my own character. In one sense, it is true that everyone and everything I can perceive represents an aspect of myself; yet, of course, it’s also true that these people and things exist independently, beyond my projections, as well.

So everything in the dream world has something to do with the dreamer, but this doesn’t mean that the dream is the exclusive creation of the dreamer. The dream can also be understood as a world in itself, where beings with independent existence (the dream “characters” or “images”) come visiting.

Who creates this dream world? Who is the dream-maker? And who is the dreamer relative to the dream? The dream can go beyond the dreamer’s waking identity, can be larger than the dreamer’s imagination and ideas about reality—so clearly the dream-maker must be larger than the dreamer. The images within the dream may also have a life beyond the dream. Continue reading

Becoming “Loving Awareness”

sky 05In the last post, I talked about the spiritual concept of “ego death” as it is reflected in dreams [“When the Dream-Ego is Slipping or Sleepy”]. “Ego death” occurs when the whole psyche is undergoing a transformation (due to illness, crisis, loss, or deep inner work) in which the familiar ego must die in order for a new, potentially larger, sense of self to come into being. During such times, dreams often contain death imagery: the dream-ego or other dream-character faces death, and perhaps actually dies in the dream. Deaths can be enacted again and again in transitional dreams, and then other dreams (or sometimes the same dreams) may begin to indicate the development of new life, new ways of being.

Sometimes, when the transformation is particularly significant, we experience breakthrough dreams: extraordinarily powerful dreams that not only represent the transformation from one ego identity to another, but actually involve the “willing sacrifice” of the entire self-definition, allowing for complete openness to a new way of experiencing reality and identity. These dreams may be like great mystical experiences, beyond words. They may be like literal near-death experiences where attachment to our present life is let go almost easily as we glimpse what we really are and the vastness that includes us.

Occasionally, a dream can be quite direct in its metaphorical expression of the process of “willing sacrifice” and “ego death.” About two years ago, I had this extraordinary dream:

The Willing Sacrifice: I am a young Asian prince in an ancient Eastern culture. My small community has been suffering from a drought or other catastrophic challenge. Our survival is at stake. We have just completed the re-enactment of an ancient ritual that is supposed to restore harmony: the symbolic sacrifice of the community’s leader (me). But it does not work, and I now realize that only an authentic sacrifice will make a difference. We must enact the ritual again, and this time I must actually die. I accept this with sadness, and some fear, but a deep sense of responsibility, feeling the weight of what I must do. The community is gathered to bear witness: to support me, and to honor and grieve for my sacrifice.

            Ahead of me is a large ritual space—a square, marked on the ground by a wide golden ribbon. I am wearing a white tunic or kimono. I walk, formally, toward one side of the square. I hope that my death will not be bloody—but then I release that thought: it will be what it will be. I release the hopes I had for the rest of my life. On the left side of the square, there’s a gap in the ribbon that opens onto nothingness, and I believe that when I die I will go through that gap. In the far right corner of the square sits the Emperor or King—a wise, compassionate, powerful being, like a god. I sense his deep sympathy with me, and his willingness to play his role as I am playing mine. His attendant, a young man in white like myself, leaves his side and comes to meet me as I approach the square. We stand facing each other at the edge of the square, and I realize he’s almost a mirror image of me.

            Before stepping across the ribbon, I must ask permission to make this sacrifice. I kneel down, as I have done many times before during the symbolic ceremonies, but this time I know I must go further. I close my eyes and bow all the way down to the ground. It seems a long way down, an infinite falling in and giving over. At the moment when my forehead finally touches the earth in complete surrender, I feel flooded with love: the loving tenderness of the young attendant standing over me, meeting me absolutely where I am; the loving benevolence of the King; the loving warmth and gratitude of the people… Also, the overwhelming love that pours through me from the earth herself. It is more than I can contain.

The final sentence in my description of the dream says it all: “It is more than ‘I’ can contain.” The ego “I” cannot hold the larger experience of life itself that rushes in with love at the moment when the sacrifice is accepted. The small self gives way, and the larger self can then be experienced. The larger self is not limited to one apparently separate identity, but includes all who are taking part in this ceremony. And beyond the shared human experience, there is also a profound connection with the earth. Continue reading

When the Dream-Ego is Slippery or Sleepy

sky 02Many of my dreams lack focus. The dream-ego (the “I” in the dream) can’t seem to accomplish what she intends, or is the victim of something or someone, or doesn’t participate in the main action. Sometimes these dreams are frustrating, and at other times, the “I” just seems to be slipping away. For me, a common dream metaphor for this slipperiness is when the dream-ego has to cope with actual sleepiness within the dream. Here are two examples:

Gathering for Ceremonies: I’m with a large group of people gathered halfway up a mountain, for some spiritual ceremonies. It’s a relaxed atmosphere with lots going on. I’m responsible for a toddler named “Sleepy,” and much of the time, I carry Sleepy around as s/he sleeps heavily in my arms. When s/he’s not asleep, s/he’s running around wildly, very distracting. The more I try to keep up with Sleepy, the drowsier I get…

Sleepy Attender: I’m attending an important workshop, sitting right up front, but I can’t stay awake. I sit up straight and pretend to be listening/meditating with my eyes closed, so the presenter won’t realize I’m asleep. After a while, I know I need to open my eyes at least briefly, to maintain the illusion of attentiveness, but I’m too groggy and can’t get myself to come out of it. [Finally I literally wake myself up by trying to open my eyes.]

Another expression of this same lack of dream-ego focus is when the dream itself just seems hazy, as if the dreamer is not able to generate vivid images. The environment around “me” in the dream is vague—maybe indoors, maybe outdoors, but with no noticeable features. Events in the dream, and body awareness for the dream-ego and dream characters, can also be hazy. In lucid dreams, where “I” realize that this is a dream, the experience is not sustainable, because the dream-ego and the dream environment are not distinct enough—either I wake up, or fall back into non-lucid, unremembered dreams. Continue reading

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