Compass Dreamwork

Dreamwork as Spiritual Practice

Page 11 of 19

Interview with a Dream Figure

outside stairs 01If you want to meet a dream on its own terms, to enter the unmapped territory and find paths and passages you never knew were there, you have to go outside your comfort zone. Well, that’s what we’re trying to do, isn’t it? Even in our waking lives, we want to get beyond routine and have new experiences (up to a point). We aren’t just looking for reinforcement of our expectations. Jeremy Taylor reminds us that “no dreams come just to tell you what you already know.” But it’s certainly tricky to recognize a new thing when we see it, because our frame of reference sets us up to see what we expect to see.

I’ve written a couple of articles about different ways of looking at dreams that can help us get around our personal blind spots: by questioning the dream-ego’s point-of-view (“The Unreliable Narrator in Dreams”), and by exploring the inconspicuous details of the dream scene (“Turning the Dream Upside Down”). Now I’d like to consider another mind-bending approach that is deceptively simple, but tremendously powerful: asking dream figures or images about themselves.

There are many ways to communicate directly with the images in a dream. Fritz Perls set up conversations between dream images (as aspects of the dreamer’s psyche) in his Gestalt Therapy; lucid dreaming practices invite us to ask dream figures for guidance or gifts, etc. These and other practices can be transformative on many levels, but sometimes the concentrated effort required to transcend your own limitations can seem about as easy as jumping higher than your own head. Continue reading

Turning the Dream Upside Down

upside down 01If I start with some straightforward approaches to dreamwork (see “Two Basic Dreamwork Skills”), I can learn a lot about dreams. But I can learn a lot more if I’m willing to turn the dream upside down, or inside out—to spin it, flip it, and toss it around a bit.

Actually, it’s not the dream that needs to be turned upside down, it’s the dreamworker. Have you heard the Nietzsche quote: “If you gaze long enough into the abyss, the abyss gazes back”? In order to see the whole dream in all its multifaceted dynamic transpersonal splendor, I have to suspend my own habitual patterns of thought, stand on my head, and take a new look at the dream—until I can see the dream looking back at me. Like a mirror, the dream shows me a reversed image of myself, and more than myself. Continue reading

Dreams of Helping and Being Helped

helping 01In my recent dreams, I’ve been aware of giving and receiving, helping and being helped:

Fragments: I receive three gifts: sagebrush, a meerschaum pipe, and an iphone—and must learn how to use them… Someone lends me a bicycle, and then seems more confident and capable herself when she experiences my gratitude… I’m in prison for life, and a fellow prisoner relieves my fear by asking me to help her solve some math problems… We distract the dragon, so the young girl can complete her initiation safely… A white bull calf comes to me for comfort, but when I am threatened he places himself between me and the danger…

We all have a need for our strengths and gifts to be recognized and received by others—and sometimes the best thing we can do to support others is to receive what they have to give, whether it is by listening to their stories and learning from their example, or allowing them to assist us on our own path—physically, emotionally, spiritually. I’ve been noticing this process in my dreams, at the same time that I’ve been noticing it in my waking life.

As my friend Kay is now on hospice, I’m recalling the many ways she has been a mentor to me. Kay and I worked together on the pastoral care team for a continuing care retirement community. She was an experienced pastoral counselor and spiritual director (volunteering with the team, since she was technically retired); and I was a relative beginner in this work. With warmth and grace, she gave me exactly the encouragement I needed, by allowing me to take the lead. She attended my workshops and groups as a participant; she brought me her dreams, and she invited me to act as her spiritual counselor as she got older and faced health challenges. It wasn’t like an adult letting a child win at checkers—she authentically found things that I could give her, that she could learn from me. While she also helped and mentored me in more traditional ways, she always allowed me to bring my best self to our relationship, and to experience my own gifts with her.

Kay is an especially wise and kind person. But, actually, similar giving/receiving relationships are happening all the time. If I pay attention, I notice that the true gifts and blessings in waking or dreaming life are always somehow reciprocal.

The other day, I was climbing a long, long, long set of steps (18 flights, I think) to the top of a hill in a nearby park. As I was going up very, very slowly, two brisk women and a healthy young dog passed me going down, with an older dog following stiffly behind them. The older dog—a sweet-faced, short-haired terrier—gave me a commiserating look as she went by. Continue reading

The “Unreliable Narrator” in Dreams

coffee cup 01Can I trust the opinions and emotions of my dream-self? The dream-ego (the “I” character in the dream) is the most likely to share my waking point-of-view about dream events. As I’m remembering and writing or telling the dream, I think of the dream-ego as “me” and can easily take it for granted that what the dream-ego thinks and feels reliably reflects the “truth” about the dream situation. But let’s look more closely at this…

The Jungian dream explorer James Hillman has said that “in a dream the ego is usually wrong”—meaning that the dream-ego tends to apply a waking-life worldview to the dream world, and thus to misinterpret dream events. The dream-ego generally shares the waking ego’s assumptions and prejudices, but the dream world as a whole may have surprisingly different perspectives and possibilities to offer.

As I look at my dream, I need to remember that even in waking life, my own view is not the only way of looking at things—I must question this view in the light of others’ input. In the dream world, this is even more true, because dreams are almost always telling me more than my conscious mind already knows (see Jeremy Taylor’s Dream Work Tool Kit #4). The dream-ego’s view should be taken as only one out of many possible ways of understanding dream events. What does the rest of the dream have to say? What other points-of-view are available?

A Rib Comes Out of Me: I feel a sharp point sticking out of my left side, and when I tug on it, a long, thin, curved rib bone comes out. I hold my side, expecting to find a wound, but there is no mark, no pain, no blood. The rib has come out clean and white. I go to a professor—a pompous, arrogant fellow, who immediately says we should put the rib into a solution of coffee, so that its true, natural color will be revealed. I don’t really want the rib to get stained, so I say sarcastically, “That will work fine if its natural color is coffee-colored.” I keep asking him why and how the rib could have come out so cleanly, without leaving a mark or being smeared with blood. The professor dismisses my question, saying that this sort of thing (a rib coming out) only happens to “end-stage alcoholics with orgasm dysfunction.” I’m mortified and defensive—that description does not apply to me! He clearly does not know what he’s talking about. I certainly won’t tell him that the rib came from me.

I worked with this dream in my peer dream group, and the first insights that came up were consistent with the dream-ego’s opinion about the situation. Something strangely beautiful and with creative potential had “come out of me” (like Adam’s rib…) and the arrogant fellow (patriarchal male? inner critic?) was trying to diminish its significance (by staining the rib and implying that its “true color” was stained). He was also disparaging the source of this new creation (describing her/me as damaged or weak-willed). In the group, we all had a tendency to dismiss the professor’s suggestions, reinforcing the dream-ego’s negative response to him.

The professor was evidently an offensive character, and the statements he made were incorrect in a literal sense, so it seemed reasonable to assume he represented a mistaken point-of-view… Clearly, since I’m not an alcoholic nor do I have “orgasm dysfunction,” he’s got it all wrong—although the discomfort and defensiveness of my response both in the dream and about the dream are suggestive… There’s nothing I’m trying to hide, is there? The rib was simple and clean and left no wound, and that’s a good thing, right? Why stain it? Isn’t clean white its “natural color”?

Well, the next step was, of course, to start questioning these assumptions. Continue reading

Reconnecting with the World Dream

compass rose 01Have you heard of “The Work That Reconnects”? Joanna Macy and Sam Mowe describe it as “a process that helps build motivation, creativity, courage, and solidarity for the transition to a sustainable human culture.” It’s a sequential process that “works as a spiral, because it repeats itself” over and over in our projects, in our lives, and in our dreams. As I learned more about this process, I became aware of how clearly it parallels some of the things I’ve been learning and teaching about the potential of dreamwork to make a difference in the world.

Our dreams reflect passages through the process of “The Work That Reconnects”—including, expressing, and revealing the levels in Macy’s spiral: 1) Coming From Gratitude; 2) Honoring Our Pain; 3) Seeing With New Eyes; and 4) Going Forth.

1) “Coming From Gratitude: To be alive in this beautiful, self-organizing universe—to participate in the dance of life with senses to perceive it, lungs that breathe it, organs that draw nourishment from it—is a wonder beyond words. The spiral begins with gratitude because that quiets the frantic mind and grounds us, stimulating our empathy and confidence.” –Joanna Macy and Sam Mowe

We belong to this world, and are manifestations of this world, together with the plants, animals and other humans that share in it with us. Dreams manifest the life force, and are one way that we maintain connection—to our place within the world and to one another. Often, in dreams, we experience beauty and feel this connection directly through our senses, perceptions, and emotions. We can receive nourishment from such dreams, and allow gratitude to fill the springs within us that we thought had gone dry.

Many times, when I’ve been identifying with discouragement and investing in impossibility, a dream has turned me around, waking me up to another way of looking at myself and my experience. My ego can’t change its mind so easily, but my dreams can show me what I’ve been missing and open my heart. When I share such dreams with others, and they share such dreams with me, our world is expanded. Each time I take part in a dream group, I come home with a new appreciation of my life—I’m humbled by the gifts available all around me, and I’m grateful. Continue reading

Dream Labyrinth: The Winding Path of Group Dreamwork

Living-PathI’ve been exploring labyrinths lately, and finding significant parallels between the sacred labyrinth walk and the spiritual practice of dreamwork, especially group dreamwork.

While a maze is a puzzle or a trap, filled with false starts, wrong turns and dead ends—a labyrinth is a single winding path, opening at each step as we go around and around the circle, back and forth, spiraling inward and then outward again over and over, gradually working our way to the center. While the final exit from a maze is just an ending, the center of a labyrinth is a turning point. When we come to the center, we pause to center ourselves, and then turn and return the way we came, following our own footsteps back to the beginning.

Some dreams can seem like mazes—a mess of frustrations, disappointments, confusions and anxieties from which we are relieved to wake up. But when we begin to explore even the most tangled maze of a dream, we begin to find that its paths are labyrinthine: there’s a pattern (or many patterns) even though we are going around in circles; there’s always a way forward even though we are often turning back; there’s balance and symmetry even when we keep finding ourselves further from what we thought was our goal.

The reason I’m saying “we” is because the labyrinth of dreamwork is most evident when we are in it together—as a group. Several times, I’ve taken labyrinth walks with others—and it’s amazing (pun intended) how many different ways there are to walk this one path. Each person enters at the same place, but at a slightly different point in time. And then, as I proceed, I keep encountering the same people over and over, unpredictably—we may walk side by side for a while, or pass each other going opposite directions. We converge repeatedly, but never intercept each other, never cross paths. But we all find the same center, and we all return to the same place when we have completed our journey. Continue reading

Bees and Babies: “Culture Dreams”

frost 01Here’s a recent dream that led me to think about larger meanings:

The Cold Baby: Wandering the halls of a hospital, looking for a sick friend who was taken here. I come upon a room crowded with cribs—in rows and stacked against the walls. The room is stark and cold, and the cribs are filled with sick babies, including tiny newborns. A very small one is lying on the bare floor, swaddled tightly so that she is the size and shape of a short loaf of French bread. Her face is bluish with cold. Someone has forgotten to put her back in her crib, and she is badly chilled—still and silent, with closed eyes. I pick her up and hold her against me, trying to warm her before putting her back in the crib. I don’t know whether she will survive.

At first, I was tempted to approach this as a “soul retrieval” dream [see “Soul Retrieval and Shamanic Dreaming”]—a dream relating to my personal history and the need to recover child-like aspects of myself that have been lost, abandoned, or “frozen out.” But there were elements of this dream that were inconsistent with a personal soul retrieval experience.

Often, my feelings within the dream and upon awakening can tell me a lot about the best way to look at that particular dream. In the case of “The Cold Baby,” I feel distress and urgency when I find the tiny child has been left out in the cold—but the feelings are not personal or overwhelming (as they would have been if this had been a waking life experience). There is more of an abstract sense that something is very wrong, and needs to be corrected.

According to psychologist and dreamworker Meredith Sabini, “Culture Dreams,” which are more significant for the culture as a whole than for the individual dreamer, are often marked by this kind of objectivity. Approaches such as seeking personal associations to the dream images, or viewing those images as aspects of the dreamer, may not be particularly helpful. Continue reading

Review: “Dream Explorations”

Dream Explorations: A Journey in Self-Knowledge and Self-Realization by Rachel G. Norment. Balboa Press. Paperback. 286 pages. $19.99.

Dream ExplorationsRachel Norment has ventured into the unknown lands of her own dreams, and has returned to share what she has learned. While many people record significant dreams, most have a limited capacity to articulate what these dreams have to do with life events and personal development. Perhaps some take the time to reflect on dreams, but few have made this a regular practice over many years, as Norment has done—noticing and investigating the patterns in dreams and their long-term relationship to waking life. By pursuing this kind of in-depth study, she has not only increased her own self-awareness, but has also grown and adapted her life through experiences and insights that will be relevant to the explorations of any dreamer. Her inner work, so generously shared, becomes a guidebook for those who wish to follow a similar path of self-discovery.

In Dream Explorations, selected dreams are grouped into categories according to common dream elements such as relationships, body and clothes, houses, food, bathrooms, color and music, water, babies and children, animals, travel, etc.—and Norment considers some general features of the dreams in each category. Using a Jungian model, she comes to her own understanding of the ways that these key images and themes in specific dreams were meaningful to her life circumstances at the time. Continue reading

Article on Dreams of the Dying, in “Dreamtime” magazine

dreamtime-forblogs[1]DreamTime is an inspiring and intriguing magazine published by the International Association for the Study of Dreams, and I recently had an article appear in the Winter 2015 issue.

Click on the picture to read the article: “Dreams of the Dying: Where Reality and Identity Become Fluid” by Kirsten Backstrom

And consider becoming a member of IASD! You’ll receive DreamTime three times a year, along with many other benefits!

 

Dream Identity and the Independence of Images

shore 04One way of looking at a dream is to say that the whole dream comes from the mind of the dreamer, so all of the images in the dream are aspects of the dreamer. But that is just one way of looking at the dream.

If I look at waking life in that same way, I can also say that whoever or whatever I encounter in waking life is a projection of myself. Since I see each person through my own particular lens, the person I see is at least partially my own creation, and the way I see that person reflects certain attitudes and qualities of my own character. In one sense, it is true that everyone and everything I can perceive represents an aspect of myself; yet, of course, it’s also true that these people and things exist independently, beyond my projections, as well.

So everything in the dream world has something to do with the dreamer, but this doesn’t mean that the dream is the exclusive creation of the dreamer. The dream can also be understood as a world in itself, where beings with independent existence (the dream “characters” or “images”) come visiting.

Who creates this dream world? Who is the dream-maker? And who is the dreamer relative to the dream? The dream can go beyond the dreamer’s waking identity, can be larger than the dreamer’s imagination and ideas about reality—so clearly the dream-maker must be larger than the dreamer. The images within the dream may also have a life beyond the dream. Continue reading

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