Compass Dreamwork

Dreamwork as Spiritual Practice

Page 18 of 19

Two Basic Dreamwork Skills

Dreamwork is more of an art than a science. And like most arts, even a beginner can use the basic tools in a creative way and come out with satisfying results. Of course, this assumes that the medium itself doesn’t require specialized skills (a beginner couldn’t do much with a chisel and a block of marble)—but even though dreamwork can seem daunting at first, exploring and experimenting with the essential medium of dreams comes as naturally to most human beings as playing with modeling clay, or clapping a rhythm, or making up a story.

To become a real artist of dreamwork (an ongoing process, rather than a final identity), like becoming a real sculptor or drummer or fiction writer, requires intensive practice and the cultivation of individual abilities. But the first steps are easy for anyone, and if you can grasp a couple of basics, you can easily play around with dreams, have fun, learn a lot, and even impress people with your terrific insight! Continue reading

Death Dreams Are Healing Dreams

To conclude this series of articles on the theme of death dreams and Mystery, I want to emphasize the most significant thing about dreams associated with death: death dreams are healing dreams.

In a sense, all dreams are healing dreams—as Jeremy Taylor writes, they “come in the service of health and wholeness” (see Taylor’s “Dream Work Tool Kit,” #1). All dreams come from the perspective of our wholeness—sometimes referred to as the “Higher Self,” the Psyche, the Soul, the Atman, the “Inward Teacher,” the “Spirit Guide,” the Source, etc.—and show us both the struggles and fears that challenge us, and the larger potential for insight, openness, transcendence, and interconnectedness. In fact, dreams are not just showing us these things, but giving us a direct experience of them.

When a person is seriously ill, or facing a life-threatening crisis of some kind, he or she may have death dreams similar to the ones I’ve described in the previous posts (see “Walking In The Dark,” “Death Dreams And Open Fields,” “Not Knowing,” and “Journeys Into The Unknown”). Such dreams should not be viewed as warnings or predictions of death, or as messages with suggestions about how to avoid death, or as simple reflections of the body’s dying process—even though they may serve these river 01purposes.

Dreams go beyond the meanings that our conscious minds ascribe to them. Death dreams, in particular, do not align themselves with our conscious agendas—they give us experiences that point beyond those agendas. Continue reading

Journeys Into The Unknown

Before my cancer diagnosis and treatment, as I was becoming increasingly ill, I began to dream of a wonderful journey to a place I called the Western Archipelago.

I arrive at the ferry dock with a group of others. It’s surprisingly easy to embark on such an important journey. We are all thrilled at the prospect. We board and the boat heads northwest, across a harbor and out through narrow straits into the open ocean. Almost immediately, we come to deep, crystalline waters, where icebergs and ice floes drift, radiant in the sunset. An infinite number of small islands can be seen in the misty distance. We will visit all of them. I can see down through the water, where whales are swimming under the boat. Occasionally, they surface and spout, then vanish into the dark depths. Our breath steams in the freezing air, but we are warm. There is a sense of playful camaraderie, anticipation, and innocent, uninhibited excitement—like the joy of waking on Christmas morning as a child.

 As people approach death or significant life changes, they often dream of embarking on a journey. For me, the dream of The Western Archipelago became increasingly vivid and magnificent, and the ferryboat went further out among the islands, as I got sicker and the possibility of death got closer. Around the turning point of my illness, just before and after I was diagnosed, the ferryboat went quite far—and some of us were getting ready to disembark on one of the islands. Continue reading

Not Knowing: Dreams of Resistance and Opening

“Since knowing gives us definition and control, it enables us to keep the world at arm’s length. Having established our ideas and preferences about what is, we no longer have to bother to pay attention. Not knowing, on the other hand, leaves us vulnerable and free. It brings us very close to experience, unprotected and fully engaged. Not knowing, we merge with what confronts us. We let go of  identity and evaluation and allow ourselves to surrender to amazement.” -Norman Fischer

The dreams that come during periods of significant change in our lives often parallel the dreams that come as death approaches. When we are ill, in crisis, or grieving, we may have dreams that resemble the dreams of dying people (who are also going through powerful changes). In my personal and professional experience, I’ve seen that both death dreams and transition dreams tend to be about the experience of “not knowing” in one form or another.

The individual who is going through great change is always experiencing the death or loss of the “known,” and an encounter with the potential of the “unknown.” This is generally a painful and difficult struggle, as the familiar experience of self and reality falls apart. But such falling apart also, ultimately, creates an opening, a new perspective, a new kind of meaning. Continue reading

Death Dreams And Open Fields

open fieldAt an in-patient hospice where I’ve volunteered for many years, I got to know a man named Jasper who was dying of lung cancer in his seventies. Over several weeks, he told me stories about growing up on a midwestern farm. He shared his memories of the endless acres of green-gold alfalfa fields shimmering in the wind—memories that were associated with a sense of spaciousness, but also with hard labor and long hours as he tried to follow his father’s example and expectations.

When Jasper could no longer get out of bed, and was sleeping more and more of the time, he began to share dreams. In a hoarse whisper, he told me:

I’m walking across an open field. Just walking and walking. Trying to get to my father. He’s at the far side of the field, standing by a fence. He’s expecting me. I walk and walk but can’t get any closer. Don’t want to disappoint him, but I’m too slow, can’t keep up. The tall grass is dragging on my legs, slowing me down. But I have to keep walking. The sun is setting.

Jasper was anxious and exhausted, but committed to completing the task of his life. He’d always worked hard, and he wasn’t going to give up now. So he struggled and labored through the process of dying. Towards the end, he was in a coma, unresponsive to those around him, but with his eyes partly open, and his lips moving as if he was talking to himself, urging himself on. As I sat beside his bed, hour after hour, I noticed that his feet were moving under the thin sheet: first one foot flexed and then the other. Actually, his legs were working, too—alternately tensing and relaxing. He was walking. I imagined him walking across that field, to meet his father. It was a long way, and it took a long time. He worked hard at walking, and worked hard for each breath, the whole way. Continue reading

Walking In The Dark

In my early thirties, my health deteriorated. Over the course of several years, increasingly severe autoimmune problems began to break down my sense of myself as an independent, capable, creative person who could make choices and take action in my own life. I seemed to have a bad case of respiratory flu that never went away. My lungs and joints ached; I had fevers and night sweats; I was exhausted, losing weight, unable to think clearly. I had to leave my job as a bookstore clerk, and soon could not even keep up with household chores or errands. I’d also developed hard lumps along my collarbones and under my arms—but these and my other symptoms were diagnosed as “cat scratch fever.” I was told that I would soon recover, but things were only getting worse. One feverish night, I had this dream:

I am walking naked in a blizzard at night, surrounded by the steam of my own breath and the snow coming from all directions in the dark. The air is freezing, but I feel warm and safe. I know I am walking, but cannot really feel myself moving. There’s just a pleasant sensation of wind-filled darkness, and icy snowflakes stinging softly all over me. I walk until the ground comes to an end at a cliff, and I step out into nothingness. I don’t feel myself falling, just merging into the swirling emptiness.

I woke from this dream with a sense of blissful release, yet as soon as I became more fully aware, I was sure that this was a dream about my death—so sure, in fact, that I woke Holly and told her I needed to see a doctor right away.

There could have been many other ways to look at this dream if it had come under different circumstances, but for me it was a perfect metaphor for the inevitable conclusion of the internal experience I’d been having. In the dream (as in my waking life at that time), each element of my conscious identity was dissolving almost easily: my clothing (roles and persona), my surroundings (relationships and work context), my perception of intentional action (will and purpose), my body (as a dependable vessel), even the ground that held me up… until there was no distinction between myself and everything—or nothing. Continue reading

What Am I?

handful of deep darkI recently returned from a five-day intensive entitled “Opening to Mystery.” It’s part of the two-year End-of-Life Practitioner program through Metta Institute, designed to teach mindfulness to hospice and palliative care practitioners (nurses, doctors, aides, administrators, chaplains, social workers, volunteers).  Although the perspective is primarily Buddhist, the approaches we are learning are intrinsic to the contemplative branch of every spiritual tradition. I’ll be writing more about how dreams relate to death and to “Mystery” over the next few months (as part of my final project for the program). At the moment, I’m thinking specifically about how death and dreams open up questions of identity: who or what are we?

In my work as a hospice volunteer and chaplain, I’ve been present during the last weeks with many hundreds of dying people and their families. I’ve seen how familiar points of reference are gradually (or sometimes suddenly) stripped away—both for the person who is ill and for his or her loved ones. I experienced the intensity of this process first-hand in my thirties, during my own life-threatening, life-changing illness (Hodgkin’s Lymphoma). Over the course of several years, I lost much of my “self,” as I could no longer work a job, participate in social activities, or even think clearly, eat or sleep normally, or take care of my own daily maintenance. Yet I was still conscious, still present, still aware in each moment. Paradoxically, for me and most others, this process of “un-selfing” is a source of both anguish and liberation. Continue reading

More Monster Dreams

I’ve had monsters on my mind. I described the archetype of “the monster” in the last post (“Monsters In My Dreams”) as primal energy: the life force itself, taking the form of change. All change involves the death of something and the beginning of something else. The monster is the aspect of change we fear most—the ferocious energy with which the life force destroys in order to create.

Monsters take many forms in mythology, and in dreams. Some, as in the dream I described in “A Nightmare Is An Incomplete Dream,” are formless—or at least they remain unseen or undefined by the dream-ego (the “I” character in the dream). Other monsters are the semi-human creatures popularized in the media: zombies, vampires, werewolves, etc. Some are monstrous combinations or distortions of other creatures. Some are apparently ordinary things, but made horrifying by the context of the dream (as in some horror movies): an animated toy doll, a bunny, a flock of birds. Monsters are what we make of them. While their essential nature may be universal, the form they take is usually based on individual associations and projections. Continue reading

Monsters In My Dreams

In a recent post (“A Nightmare Is An Incomplete Dream”), I wrote about nightmares, and shared my own nightmare of “being hunted by a formless monster who tears people apart.” That post was about coping with the disturbing aspects of nightmares in general, and focused on some issues that might need to be addressed before exploring the metaphors and imagery within any particular nightmare. Now, I’d like to look at the central scary image of my dream—an image that is common in children’s dreams, and not uncommon in the dreams of adults: the monster.

mouthThe words I chose to describe the monster of my own dream say a lot about the significance that this particular monster has for me. It is “formless” and it “tears people apart.” Within the past year or so, I have come through a period of major depression. The experience of such depression is probably the scariest thing I can imagine—it is certainly “formless” (like being in great pain, but not being able to find any source for that pain), and it does “tear people apart.” Other aspects of the dream also point in this direction: I’ve been “held prisoner” by this monster in a “desolate house,” and when I am trying to escape, I am afraid to go to others for help, because I’m afraid that I’ll just bring the monster down on them.

Although there is no doubt that my personal associations create a credible case for identifying the monster in my dream with depression, it is important to note that this “solution” occurred to me very easily. According to Jeremy Taylor, “No dreams come just to tell you what you already know.” (That’s the 4th tool in his “Dreamwork Tool Kit.”) At the time of the dream, I already knew that I feared depression returning to hunt me, and I was (and continue to be) actively involved in exploring this fear in my waking life and in dreams. So, I looked further and deeper, and found other personal associations to the monster. No doubt, still more could be unfolded if I were to work on this dream with the help of a dreamworker, a friend, or a group.

The most exciting way to respond to a monster dream, however, is to go beyond the personal and explore it on a more universal, archetypal scale. Children have monster dreams even if their lives are relatively safe from threats to their well-being. Adults have monster dreams when they have no personal associations that seem particularly monstrous. Monsters appear in mythology regularly, and, as Joseph Campbell wrote: “Myths are public dreams. Dreams are private myths.”

In both mythology and dreams, across cultures, monsters are associated with primal energy—the original darkness we come from, and the darkness we fear will swallow us up at death (or if we “lose our minds,” or if the “light of reason” fails us). Whether this is the darkness of “empty” space before the big bang, of the “chaos” that precedes creation, of the grave, of the womb, or in the belly of the whale—this perceived darkness or chaos is a monster that threatens our belief that we are in charge, in control. Continue reading

A Nightmare Is An Incomplete Dream

I rarely have nightmares, but last week I had a full-blown, truly scary nightmare:

I am being hunted by a formless monster who tears people apart. The police don’t believe me and won’t help. To prove that the danger is real, I show a young couple the desolate house where I was held captive by the monster. We enter apprehensively, making sure the monster is not there. The rooms are empty except for scattered trash. The young woman goes down into the dank basement, and as the young man follows, I realize that he is about to be killed. There’s a moment of terror, as I see him on the basement stairs, screaming, and then a splash of blood against the wall. I run in panic, as the invisible monster goes down to get the woman in the basement. I know I have only a few moments to get away, but there is nowhere to run or hide—only a peaceful neighborhood where I know that I will bring harm if I ask for help again. I try to keep running, stumbling, crawling, but know that I can’t get away…

dark corner

The corners are dark, and something could be hiding there…

When dealing with nightmares, there is some preliminary dreamwork that needs to be done before engaging in the usual practice of unfolding metaphors or exploring associations with the images. A nightmare is basically defined by the emotional and physiological response we have to it. I woke from the above dream in the state of emotional distress and physical agitation typical of nightmares. This distress and agitation must be addressed, before anything else can really be done with the dream.In the short-term, the first, best response to a nightmare is simply to bring the body and emotions back to some sort of equilibrium, as much as possible. For me, that meant getting up to use the bathroom (turning on lights!) and “shaking off” the awful feelings before trying to sleep again. In really serious, chronic nightmares or dreams associated with post-traumatic stress disorder (PTSD), returning to equilibrium can be much more difficult, and can require professional support. Continue reading

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