Dreamwork as Spiritual Practice

Category: Just About Dreams (Page 1 of 3)

Miscellaneous dream-related material

Dreaming Emotional Experience

[This “Dream Alchemy” column, written in 2020, describes how the strong emotions experienced in dreams can contribute to emotional flexibility and resourcefulness. Sometimes emotions in dreams can be overwhelming, and, as in the case of nightmares, may even cause the dreamer to close down rather than open up. Still, dreams always have the potential to be healing and meaningful, though framing the experience of the dream in a positive way is essential. I hope that this article serves as a positive frame for even the more difficult dreaming, and waking, experiences.]

Dreams are often emotionally intense. They can exaggerate ordinary feelings to a ridiculous degree, but they can also give us an opportunity to experience our most profound emotions in their full richness and complexity. It would be impractical to feel everything so intensely under ordinary circumstances in our waking lives. We might be moved by the death of a neighbor’s old dog, or frightened by the prospect of giving a presentation, or angered by a politician—but generally those emotions are contained within socially appropriate bounds. In dreams, however, we may discover our tremendous capacity for passionate, consuming and often contradictory feelings. Discharging strong emotion in dreams can be healthy, relieving us of repressed energies. More significantly, I believe that our dream feelings can help us to know ourselves, acquainting us with the depth and breadth of the emotional faculties that allow us to experience the world as we do. 

I’ve been reading a thick book about 9/11. The subject matter is certainly disturbing, and the book isn’t particularly well-written as it tumbles repeatedly into the twin traps of sensationalism and sentimentality. Yet I keep on reading, because immersing myself in the details of this iconic catastrophe gives me a chance to witness, from many different angles, how we human beings respond to shocking, overwhelming circumstances. I want to understand who we are in the immediacy of extremity. How do we cope with chaos and pain? How do we face death? How do we make sense of the incomprehensible? How do we interact with one another in the midst of shared crisis? What makes us compassionate and courageous, and what makes us lose ourselves in selfishness? 

The heroic stories from 9/11 have become legendary, representing the best responses that we might have in a desperate situation. But there are other stories, too: stories of the terrified people who abandoned injured companions or ignored pleading strangers; stories of officials who couldn’t face the sheer horror of the situation and persisted in following inapplicable protocols—ordering people to return to their offices, assuring them that everything was under control. Such unhelpful (or even harmful) responses are just as natural as the heroic ones, but we all hope that we’d come through with courage and compassion in a crisis. Among the survivors, it’s often those who were not heroes who suffer the most excruciating after-effects of a tragedy, in shame, self-justification or regret. 

So, what makes the difference? I don’t think heroic behavior comes only to those with special training or religious faith, or to unusually “good” people as my 9/11 book simplistically implies. My sense, after reading these stories, is that those who are already familiar with their own intense emotions can more often choose to act on their strong, natural feelings of empathy in spite of their equally strong, natural feelings of fear. In a crisis, both kinds of feelings will arise simultaneously, but some people manage to make brave choices about how to respond to those feelings and some don’t. If we know from past experience how profoundly afraid we can feel, then we’re less likely to be overwhelmed when our feelings are most extreme. If we’ve felt this way before, then we’re less likely to ignore the reality of a terrifying situation because we can’t face the fear, and less likely to deny our empathic connection with others who are also afraid. 

Few of us have felt such a nightmarish level of fear in our waking lives, but many of us have felt it in dreams. Our dreams may provide us with an opportunity to practice the full range of our emotions, so that those emotions won’t take us by surprise and overwhelm us in a crisis. Just having access to our own emotional range also expands our repertoire of responses in any situation, and makes us more resilient human beings. And, finally, the intensity of dream emotion can give us a more vivid experience of our whole selves, showing us who we really are and can be. 

In dreams, I’ve been in a village under siege when the enemy breaks through the gates. I’ve been accosted in a dark parking lot. I’ve been stalked by a monster. In these kinds of dreams, I’ve been amazed and ashamed to find myself in the kind of panic that prevents me from caring about anything other than saving myself. Since the emotional centers of the brain are more active in dreams, I get a glimpse of how visceral and irresistible my fear can be. Dreams also show me how compelling desire can be, how violent rage can be, how wrenching grief can be.

I don’t know if those who behaved courageously in the surreal horror of 9/11 had previously “practiced” with fear in their dreams, but I strongly suspect that they were all people who had some previous experience of their own vulnerability. If we’ve never been vulnerable, we might expect that we can handle most situations, and we’re not likely to respond well when control, even of our own emotions, becomes impossible. But if we’ve felt the raw vulnerability of being emotionally triggered (in dreams or in waking life), we’re less likely to need to deny our unfamiliarly out-of-control “negative” feelings, and we’re more capable of choosing which feelings to act upon. During the events of 9/11, many of those who managed to follow their courage and compassion in the midst of their terror were later able to integrate the pain of what had happened rather than be broken by it, because they had connected with something within themselves more deeply meaningful than the fear.

Dreams show us the “positive” feelings as well as the “negative” ones. In one of my recent dreams, a friend of mine who has been in a wheelchair for over twenty years suddenly recovers the ability to walk: She looks radiantly healthy; her injuries are healed. Joy and tenderness well up in me. In tears, we lock eyes. I reach out to touch her shoulder, her cheek, unable to find words. The feelings we share in this moment fill us completely: wonder, love, exquisite hope… 

I can’t describe the power of these dream emotions. For the first time, I felt how profoundly moving it would be to see my friend standing, walking. In waking life, this friend and I know each other well and can speak openly about many things, but we never express, or directly experience, feelings this intense. I know that I care about her, and feel saddened at the thought of the challenges she faces on a daily basis, but I didn’t realize how very deeply I care. There’s some obvious projection in this dream, since I’m just beginning to allow myself to imagine the possibility that my own physical disabilities might heal—so the wonderful tenderness I feel is, on one level, for my own potential healing as well as for my friend’s. In the dream, I care more deeply for her, and for myself, than I could ever have imagined. But, the central experience of the dream is uninhibited joy—an emotional vulnerability and openness that extends beyond either of us to encompass all beings everywhere as we struggle with limitations and pain, yet long to stand in the shining wholeness of who we really are. 

When we allow ourselves to feel all of our emotions, as we do in dreams, we are likely to find that profound compassion coexists with fear. Our capacity to feel is virtually infinite. Our best actions can arise out of the fullness of our feelings. No matter what challenges we face, we can recognize ourselves in each other, and choose to feel with and for each other. In moments of extremity, we can’t know who will behave heroically and who will not—but we will all be longing to live up to the best in ourselves. Even if we can’t literally stand and walk, even if we can’t simultaneously feel our fear and act on our courageous love, we can trust that the potential for every possible response exists within each of us. We can feel it in our dreams.

[This article was originally published in the Winter, 2020 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

The Ninth Dog Guards The Threshold

[This “Dream Alchemy” column, first published in DreamTime magazine in 2019, includes a dream that still raises questions in my mind about the true meaning of healing. Now, more than four years after it was written, I’m touched by the innocence of my approach to the dream, my idea that the “ninth dog” resting across the threshold and blocking my way, might be suggesting that my need for rest would require nine weeks, after which I would be ready to return to life. Healing turns out to be a much more complicated process—and the dream, too, is rich with imagery that I don’t/can’t fully understand. Dreams are mysterious; they don’t offer formulaic answers to our questions, though they do allow us glimpses of potentials, impressions and openings. In this dream, the experience of the dreaming itself was a form of healing that unfolded over nine weeks, nine months, and beyond. Some healing is completed, some is perpetually in process. My intention is to remain aware of my own changing understanding over time.]

What are your intentions as you work with dreams? Whether we are researchers, artists, therapists, educators or explorers, our dreams can be some of the most powerful, potentially sacred, experiences in our lives, and we should approach them intentionally and respectfully.

Whatever we bring into the world, the intentions that guide our actions really do matter. That was true for the ancient alchemists, too. If their intentions were selfish, their experiments were likely to end in flames and failure rather than successfully realizing greedy dreams of gold, power, and immortality. 

When I offer workshops (about dreams or anything else), I always begin by sharing my intentions for this gathering of people, this unique event: 

  1. I intend that we will be reminded of things we already know.
  2. I intend that we will learn something new.
  3. I intend that something special will happen among us: an alchemy that can take place only here and now. 
  4. I intend that whatever happens here and now will expand outward to touch others and spread beyond our imagining.

These intentions are very broad, of course. I think they can be applied to many different kinds of endeavors, and they can certainly be applied to dreamwork. Dreams themselves serve all of the purposes expressed by these intentions: they remind us of what we already know; they show us something new; they create an experience in themselves; and they can expand beyond any one dreamer’s experience to reach others in ever-expanding ways.

Here’s a dream that expresses these intentions clearly:

The Ninth Dog Guards the Threshold: I’m in deep woods, being chased by a pack of wolfhounds. They are not mean dogs—but they are guard dogs, and I am in their territory. For refuge, I run to an isolated house; an older woman meets me at the screen door and lets me in. The dogs come in, too, but she provides protection and will help me deal with them. She explains that we can’t manage the dogs as a pack—each dog needs something different. One dog needs information, understanding. Other dogs need other things: some have emotional needs (comfort, kindness, patience, reassurance); some have physical needs (petting, feeding, healing, play). The dogs become calmer and friendlier in the woman’s presence, and I know I can follow her example and be safe with them. But now the woman is speaking urgently, calling for my full attention: “Not all the dogs are here! Where is the ninth dog?” I am confused by the question. Why does it matter whether they are all here or not? Also, there are only six dogs—are there supposed to be nine? She’s insistent, so I recognize that the ninth dog is especially important. I look for him, and find him. Unlike the other dogs, he’s a black lab. He’s sleeping on the threshold of the doorway where I entered. He wakes, stands up wagging his tail drowsily, greets me, then lies back down. He’s not threatening at all—but not budging either. He won’t let me cross the threshold until it is time. For now, we must let him sleep. 

The dream helpfully reminded me of something I already knew. I was recovering from spinal surgery, and the wolfhounds expressed the many urgent needs that were “hounding” me. I would have to tend those needs one by one, in a safe place, under the guidance of the wise woman who represented my own inner wisdom. The last dog affirmed my need for rest, and I couldn’t cross the threshold and return to active life until all the dogs were satisfied, especially that one.

I also learned something new. The question “Where is the ninth dog?” led me to wonder about the significance of the number of dogs in the dream. Apparently there were nine dogs: six chasing me, two absent, one guarding the threshold. The specific numbers made sense if I looked at them in terms of time: It had been two weeks since I’d left the hospital (those two dogs were absent because they’d already caught up with me—their needs had been met), but there were still seven more weeks, seven more dogs presenting their immediate needs. I’d hoped to return to work after five weeks of recovery, but the dream suggested I’d need more time—a total of nine weeks. My healing would take longer because there were many physical, emotional and spiritual needs still to be met. The first need was for me to “get” this information, to understand; and the last, most significant need was for rest. Because the wise woman insisted that I find “the ninth dog,” I was compelled to pay attention. As it turned out, I needed those extra weeks since new cardiac problems and pain issues developed, and prolonged rest was absolutely essential to my healing. It wasn’t enough to accept my own needs conceptually—I had to learn what these dogs were asking of me. I had to change my expectations, and my plans. I had to allow myself to be changed. 

A powerful alchemy occurred within the direct experience of the dream. I truly felt the fear as those needs threatened to overwhelm me, the relief when I turned inward (entering the house) and found a guide who could respond wisely. I felt genuine recognition when I found the sleepy “ninth dog” on the threshold, and acknowledged my own profound longing to rest, to satisfy the simplest and deepest need of all. This was the need that lay behind every other need, gently but firmly preventing me from crossing the threshold. The “black lab” was the blackness of night, the transformative laboratory of sleep and dreams where authentic healing can occur—a place where I could rest in the deep darkness of my inner unknowing, to be restored and recreated. 

So, this dream spoke to all of my personal intentions: I was reminded, guided, inspired and changed—and after all of the dogs had been satisfied, I was released to share what I had learned by living this dream in the world, letting its meaning expand and spread beyond me. All sacred ceremonies follow a similar pattern. Like our dreams, they are shaped by fundamental spiritual intentions that include revisiting the wisdom we already hold, making new discoveries, invoking and inviting transformation… And, finally, there’s a “sending forth,” where the individual and collective experience of the this unique time and place can be scattered like pollen on the wind, to seed new possibilities, new dreams. 

Perhaps every dream is a kind of ceremony that potentially expresses our best intentions, holding us in the crucible of transformation (guarded by the “black lab” of sleep, and “hounded” to meet our own essential human needs), until we can be “sent forth” to share that which has changed us.

[This article was originally published in the Fall, 2019 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

Pass It On

[My second “Dream Alchemy” column, first published in DreamTime magazine in 2019, is concerned with transformation and also the sharing of gifts. The dream I share here was certainly a gift in my own life—in fact, only a few days ago, this dream came back to me and the memory of it helped me through a long night when I was feeling ill and disconnected. The dream reminded me that I belong to a human lineage, and that belonging carries both responsibilities and blessings. I hope that the “bread” of this dream will nourish you, as it nourishes me.]

In keeping with the theme of “Dream Alchemy,” I’d like to consider some of the transformative processes at the heart of both alchemy and dreamwork. Alchemical change occurs when something ordinary is subjected to various procedures (heating, cooling, distilling, coalescing…) until something extraordinary happens. The remarkable result of alchemical experimentation is the transformation of a dark heavy substance (prima materia, like lead or feces) into a substance of great value (usually gold), or into a potion with special properties, perhaps an elixir of immortality. Alchemy breaks the rules of our predictable lives, and, metaphorically at least, shows us that true value may be found in unlikely places when various elements (people, circumstances, natural forces, chemical compounds) combine to become more than the sum of their parts. When these components come together in the right way, even time itself can be suspended or reshaped so that, in a sense, we might live forever. 

Dreams experiment with these same elements, stretching the bounds of what we believe is possible and offering us infinite abundance, while reminding us that authentic treasures are not to be kept, but to be shared and passed on as wisdom. Here is one such dream:

The Dalai Lama’s dearest friend is dead. He weeps openly. I’m escorting him through the crowd of mourners. He needs to return home, to sleep, but he’s barefoot and there’s snow on the ground. I intend to go get a car to drive him, but I realize that he has become a small, crying child. I can’t leave him alone, so I must carry him. As I lift him, he transforms—becoming an infant, then an adult corpse stiff with rigor mortis, then both simultaneously. I have difficulty carrying him, so I drop all my personal belongings and devote myself to the task completely. 

Later, alone, I’m standing in line for the bathroom. The Dalai Lama as a tall young man emerges from the crowd with his retainers. He’s reserved and distracted. I don’t expect him to recognize me. But then I feel his hand on my arm. He asks me to get him a snack—a packet of cookies—from a nearby bakery counter. I get the cookies; he thanks me. This seems to complete the process I began by carrying him earlier. I feel deeply honored to have had a small part in the reincarnation of a holy one.

(I wake from this dream in awe, wondering whether the Dalai Lama has actually died. Outside in the dark, it begins to rain—a downpour—the wind blows hard, the wind chimes ring. There’s lightning, thunder. It’s magical. I return to sleep and the dream continues…)

Now I’m indoors and the whole building fills with people: the Dalai Lama’s entourage, plus a crowd of followers, gathering for the closing ceremony of his visit. A woman from his inner circle brings me a gift. It’s a carafe filled with a thick, yeasty liquid that looks like sourdough starter, with a thin red ribbon tied around the neck of the carafe. She hands the potion to me, saying that it is “for you”—but when I ask if I’m really supposed to keep it, she says “no.” I try to give it back, but she won’t take it, repeating that it’s “for you.” I ask, “Is it mine?” and again she says “no,” but won’t take it back. She leaves. I’m bewildered about what to do with the gift. Holly [my partner] explains that it must be like yeast: we should take some of what I’ve been given and add flour and water so it will grow. Then I can return the original carafe and keep growing more. I can’t “keep it” for myself, but I must “keep it alive.”

For me, the Dalai Lama represents profound wisdom and extraordinary leadership, manifested through an authentic, gracious, humble human being. He is said to be the reincarnation of the Bodhisattva of Compassion (Avalokiteshvara/ Kwan Yin/ Chenrezig). Having passed through many forms, suffered death and rebirth over and over, the bodhisattva returns endlessly, serves willingly, until all beings can come to full awakening. In my dream, I find myself in the role of literally carrying this awesome loving presence through the transformations of a lifetime. Perhaps this is the true meaning behind all of our lives: we are part of a lineage, carrying forward the awakened potential that is our inheritance, manifesting that potential through all of our actions in this world.

The compassionate grief that the Dalai Lama feels for his friend, and the sense of tender responsibility I feel for the barefoot, crying child provide the energy, the life force, the fire that sets the crucible boiling and makes birth and death and rebirth unfold. The passage of a lifetime is both a difficult task, and a mutual dance of love and blessing.

The dream becomes more ordinary when the Dalai Lama is a young man preoccupied with his responsibilities, and I am just another person waiting my turn to tend to my own physical needs and ablutions. What’s asked of me here is simple: to provide a snack for someone I respect, to offer him a respite in the midst of his daily business. Nothing more is required, yet the “cookies” I offer are a kind of sacrament. The Dalai Lama accepts them matter-of-factly, yet there’s a tacit acknowledgement that the very ordinariness of the gesture has confirmed my part in the whole miracle of compassionate love, passed from one person to another.

I awaken briefly to experience the wonder of the natural world, to participate in it just as I have been participating in the miraculous dream world. Rain, thunder, lightning, wind, windchimes… The music of the spheres, the bubbling of alchemical potions and preparations, the transformation of lifetimes, all offered up as easily as a midnight storm passing through—as I slip back into sleep and return to the dream.

As always, the reward for service to others is ambiguous, and invites new questions, offers new challenges to learn, share and change. The red ribbon around the neck of the carafe is like the red thread that people of many faiths wear as a bracelet, as a reminder of our life-blood and the circular, braided path of our interconnectedness. And what about the liquid inside the carafe? What is this frothy stuff that’s been given into my care? It’s “for me,” but not “mine.” It’s “to keep alive,” but not “to keep.” It’s my very life, and its only value lies in allowing it to develop, to expand, to provide for others, to return to the giver with gratitude but still have plenty left to pass on. What a dream this is! It’s the loaves and fishes, it’s the circle of life, it’s every cliché that conceals a real truth. With such yeasty stuff, we bake the bread of heaven, each tearing off a warm, crusty piece as it’s passed around. 

The alchemy of the dream completes itself when the dream is shared. The ordinary becomes extraordinary; the finite becomes infinite. Indeed, the elixir of immortality can be concocted through the deep work of dreaming.

[This article was originally published in the Spring, 2019 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

Dream Alchemy

[Welcome back to Compass Dreamwork! After a three year sabbatical, I’m finally emerging from hibernation, blinking in the sunlight, ready to reconnect. It’s been a difficult time for many of us, and it’s good to return to my dreaming community, to share ideas and, I hope, hear from some of you as well. Instead of writing a regular blog, I’ll be opening up the conversation by posting articles each month that were originally published in my “Dream Alchemy” column for DreamTime magazine. If you’re a member of the International Association for the Study of Dreams, you might have seen the column, but if not, the articles will be new to you. From time to time, I’ll be sharing other essays and excerpts from various projects I’m working on. I hope you enjoy reading what I’ve written, and I invite your comments. ]

Each night as we sleep, the caldron begins to bubble. Unremarkable raw materials, mixed with infinitesimal droplets of mysterious tinctures, get cooked down to their essential elements. A cleansing steam rises as the impurities are filtered out, and the elements interact in new combinations—sizzling, sparking, shrinking and expanding, changing color. The pungent catalyst of emotion sets off a chemical reaction. Images appear in the drifting smoke. Occasionally, something explodes. Sometimes we have to discard the burnt sludge at the bottom of the beaker and begin again, but often there’s a glimmer of gold. Deep transformation can emerge unexpectedly from the chaotic process of dream creativity, rewarding us with bright insights and alchemical treasures: precious metals, the Philosopher’s Stone, the Universal Solvent, or even the Elixir of Immortality. When we begin to experiment with our dreams, we discover that anything is possible.

As we dream, a strange concoction is created. Whether we see this concoction as a psychological experience, a neurological event, a profound message, or an encounter with other worlds, our dreams represent a dynamic aspect of our lives that can inspire us to experiment. As we explore our dreams, we find ourselves delving into the vital essence of our perceptions, our choices, our beliefs, our relationships, our environment. Dreams are strange. They give us plenty of raw materials, but it’s up to us to simmer, stir, titrate, distill and filter those materials, using our tools and skills to realize their potential. We really don’t know what we’re doing when we’re dreaming, but if we bring curiosity and courage to our dream experiences, we can find authentic valuables in this process of alchemical investigation. 

I’m calling this column “Dream Alchemy” because both alchemy and dreamwork have to do with finding meaning and life in a transformative process that includes everything: the worst and the best, the mundane and the miraculous, the corporeal and the ineffable. I’ll be exploring dreams from a wide variety of perspectives, applying what I’ve learned from others and what I’ve discovered through my own alchemical investigations and life experiences.

Because of my particular background and inclinations, I’ll be emphasizing certain aspects of dreams and dreamwork. As a dream alchemist, my apparatus includes: 

1) Working with dreams about death, and particularly the kinds of dreams we have when we are ill, grieving, aging or experiencing big life transitions and thresholds. I’ve been exploring my own death dreams, and studying death dreams in hospice chaplaincy, pastoral care and spiritual direction contexts for many years, and they seem to represent a concentrated quintessence of change and renewal. 

2) Working especially with unpleasant dreams, difficult dreams and nightmares, because they invite the alchemy of transforming heavy, dark substances like lead (or feces) into gold. 

3) Finding meaningful ways that dreams can change the world—exploring the implications of dreamwork as a personal task or quest that can be part of a larger, universal task or quest. The metaphor of dreamwork as pilgrimage is especially significant for me, and I want to explore how the dream-pilgrimage of an individual lifetime reflects and contributes to the shared journey of all living beings, the whole earth, the cosmos. 

4) I’ve been a student of world mythologies all my life, because they express central human existential concerns: the nature and origins of our existence, consciousness, identity, reality. Mythologies and dreams are manifestations of our longing for the Philosopher’s Stone, our endless search for meaning, which can be conveyed as story, rich with metaphor, paradox and mystery.

5) Fun and creativity! I love turning dreams (and waking life) upside down and inside out, like an alchemist messing about with ingredients, stirring up and sometimes exploding the “stuff” of our waking and dreaming experiences so that new and surprising substances can come into being.

There’s a lot of dream alchemy ahead in this column… so, watch this space! 

Here’s a dream, to play with:

Giving Away the Marble: An older, wiser woman has a lot of wonderful small objects: marbles of all kinds and tiny stone animals of all species. I get to keep a few of them, and I’m trying to choose. A man with a toddler is nearby—I offer the boy a little giraffe (now a stuffed toy rather than stone) and a clear marble that reflects everything upside-down. He accepts the giraffe, but ignores the marble. I roll the marble on the floor, and it becomes much larger, the size of an earth globe. It is mostly clear, a slightly irregular glass sphere with sparkling lights in it. I pick it up (it’s heavy!) and feel its shape—finding it beautiful. Now, the man would like to have it, but I would like to keep it. I decide to give it to him.

Alchemical transformations occur in this dream: the stone giraffe becomes a stuffed toy; the marble, when rolled on the ground, becomes a sparkling glass globe; my desire to keep these treasures becomes a willingness to give them away. Gifts are passed on from generation to generation as the old, wise woman gives them to me, and I give them to the small boy and his young father. 

What are these gifts? They are simple, toy-like, and “wonderful”—the kinds of gifts we all need to inspire our growth and development. The child accepts a giraffe—an awkward yet graceful creature with a long neck, reaching for the heights—just as this child will eventually, inevitably, grow into the longing aspirations and awkward grace of adolescence. Instead of a hard stone animal, this giraffe has become a soft toy, supple and comforting. 

I’m a woman in late middle-age, so the gifts I choose (marble and giraffe) represent things that I can appreciate but know I can’t really keep. I recognize that the child should have the chance to choose, too. The marble is still mine for now—the spherical glass jewel that reflects everything within it upside-down… but then I roll it on the ground, on the earth, and it grows into an entire globe-like world, slightly irregular, imperfect, but full of sparkling light. It is heavy, too heavy for one person to carry forever. Even Atlas had difficulty carrying the whole earth; I can’t carry it for long. Much as I’d like to hold onto my important role of bearing the weight of this beautiful world, I recognize that the next generation needs to receive it from me. And so I give it away, just as I gave away the giraffe. Maybe now I’ve become the wise old woman myself, passing on the blessings I have in abundance.

The shifting shapes of our dreams give their gifts freely, playfully, to the holy alchemical fire that will transform them. We grow, age, choose, offer, receive. Let’s explore the transformative power of our dreams together, sharing the gold that results from our experimentation. I’ll be looking forward to the expanding possibilities of this column, and the dream-alchemy we can create together. 

[This article was originally published in the Winter, 2019 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

Changes in Compass Dreamwork

Everything is always changing, and that’s good, of course—but also often sad. Without change, there would be stagnation and death, but where there’s change, there are endings as well as new beginnings.

A lot of clichés! Admittedly, I’m stalling here. It’s hard to write this, but I won’t be maintaining the Compass Dreamwork blog on a regular basis any longer. We’ve been dreaming together in this blog for seven years now, and seven years marks a completed cycle. I’ve begun to repeat myself, so it’s time to pause… look around… listen…

I don’t yet know what’s coming next. If you enjoy reading my work, there will still be occasional posts coming through on Compass Dreamwork: maybe some surprise blog articles from time to time, and some reprints of articles published elsewhere. There’s also a huge archive here on the site (if you scroll down to the bottom of the page, you can browse through the “Categories” menu and pick posts on any topic you choose). And, of course, I’d love to have you read (or perhaps re-read?) my book, Just Walk.

Among the potential projects I’m considering is a sequel to Just Walk… called Just Wait. Also, a book on dreams is brewing. However, my biggest project, for now, is just waiting, just dreaming. I’ve made a commitment not to let myself become busy. It’s time for spaciousnes and patience, time to breathe, to live.

Wishing you all the time you need in your life, too.

Thank you, for the ways that you have nurtured my work —your reading, your insights, your comments and questions. I trust that the community we’ve made together will continue, in new ways. I’ll be in touch with you, when the time is right.

Walk Softly On The Earth: Tenderfoot Dreams

When someone shares a dream about feet in one of my regular dream groups, there’s often a humorous tone to the discussion. The dreamer usually presents the dream in a light-hearted way, and the group members may respond with laughter. Feet seem to be inherently a bit comical, or maybe it’s just the way we dream of them. In our dreams, we walk on tiptoes, hop, skip or trip over our own feet; we find ourselves wearing bunny slippers or someone else’s old loafers; our shoes are missing or mismatched; our socks have holes; we have luminous toenails or too many toes… Feet appear fairly commonly in dreams, and the preponderance of foot-related silliness can make these dreams seem trivial. But feet can be significant. In fact, awake or asleep, we need our feet. There’s a reason that feet are sometimes called “dogs.” Like our canine friends, our feet can be trusted. They are faithful, sometimes funny, often brave. They serve us with love, and their service is both practical and spiritual. 

For much of my life, I didn’t really understand my feet. They seemed somehow embarrassing. I broke my ankle when I was three (racing down a slippery hallway in my socks) and was prone to sprains, so I always thought of my feet as a weak point. My arches were too high, my toes too long… I avoided going barefoot because my feet just seemed so naked.But when I really needed them, those feet stepped up. When I was training to walk the Camino de Santiago in 2016, I worried that they would fail me, but they just got stronger. The further I walked, the stronger they got. During that 500 mile trudge across northern Spain, I began to realize that my feet are sacred, and very dear. I learned to care for them, as they care for me. Though they sometimes ache with all their hard work, they carry me easily, and they’ve become muscular and beautiful in their own awkward, knobby, intrepid and steadfast way. 

Metaphorically, a foot can be a stand-in (pun intended) for the body as a whole. The ancient healing art of reflexology is based on the fact that pressure points on the feet correspond to the organs and systems of the body. What could be more representative of our physicality than our feet? Our feet literally bear the weight of our mortal lives. They connect us to the earth, and we balance ourselves upon them. With each step, one foot rises into emptiness, transcending gravity and carrying us forward, while the other accepts the entire burden of the body’s weight, bearing down, holding steady—then, as the first foot comes down to the ground, the second foot eases up,  tipping us forward, rising to swing into motion. The feet are indeed taking turns, engaging in a perfect dance of give-and-take that creates the essential momentum for our progress through the world.

Unlike our other paired parts (hands, eyes, etc.), the feet cannot perform their functions separately—one hand can still work, one eye can still see, one ear can still hear, one lung can still breathe, but one foot can only fidget on its own. We have to stand on our own two feet, and it takes two to tango. In a sense, our feet remind us that our separateness is an illusion, our lives are carefully balanced with the world around us, and if we are not acting in harmony with ourselves and in coordination with others, we can go nowhere.

So, when feet appear in our dreams, they may be telling us something profound about the nature of our bodies and our souls (soles), our independence and our interdependence, our connection to the earth and to one another. There’s something tender, even poignant, about our feet. They manifest our strength and our vulnerability at the same time.

In the Christian story, feet play a significant role. With great tenderness and reverence, Mary (the sister of Martha) pours precious ointment over the feet of Jesus and wipes them with her hair. This is a way of offering blessing and gratitude to the most fundamentally human aspect of the divine—and when Jesus acknowledges this by saying “you will not always have me with you” he is emphasizing his own mortality, his temporal nature. In Buddhist terms, he is acknowledging his rare and precious “human birth,” his fragile humanity. The hardworking feet embody this humanity, with humility. When Jesus stoops to wash the apostles’ feet, he again draws attention to the humble and temporary nature of all of our lives—the ordinary holiness we must treasure in each other. 

Although I’m not a traditional Christian, such images have always moved me. I remember sitting in my uncle’s church as a child, horrified by the presence of a larger-than-life-size crucifix above the altar, yet fascinated by the poignant vulnerability of the feet of Christ, pierced together by a single nail. Even in death, when the feet have been mortified along with the rest of the body, those bleeding feet remind us powerfully that they belong to a flesh-and-blood human being, a unique person, who somehow transcends the final brokenness of the physical self.

When my mother died, I was sitting at her bedside and watched the life go out of her face. Unlike most of the other people whose deaths I’ve witnessed, no trace of her individuality lingered in her features after death; her body seemed instantly emptied of all that she had been. My sister (Jill) was unsure she could handle seeing Mom like this, yet she feared that if she did not look, she would regret it later. So, my other sister (Didi) and I suggested looking at Mom’s feet instead of her face. Even though the rest of the body was just a corpse, swollen with edema and slackened by death, those feet were still Mom’s feet. The three of us, her three daughters, gathered close. Uncovering Mom’s feet was like receiving her blessing, and giving her ours. We touched her feet gently, crying, recognizing them, remembering them. They were so familiar and so ordinary, so uniquely Mom’s. 

I’ve been more aware of my own feet recently. While much of my body is changing rapidly due to illness (losing muscle, and becoming more frail), my feet, like Mom’s, are still reassuringly familiar. Whether I’m barefoot or wearing shoes, I look down at my feet a lot because the structural changes in my upper body make it difficult to hold my head up. When I’m taking long walks, I have to rest my neck by hanging my head much of the time, and when my head is down, I notice my feet, as well as the ground under them.

The ground is beautiful; the earth is beautiful. I notice the the scrambled tweed pattern of douglas-fir needles on the path, the maple leaves etched in frost, the footprints of humans and dogs in the mud, and my own feet in their well-worn boots finding the earth with every step. When I’m hanging my head, I can’t see where I’m going, but I can see where I am. Right here, pressing my feet against the sustaining ground of my life. 

Dreams about feet might be amusing because it is wise and right to acknowledge our human vulnerability and courage with a sense of humor. Look at us! We are awkward, knobby, intrepid and steadfast creatures. We are beautiful, from our heavy heads to our stumbling feet. And the earth we walk upon is holy ground.

Three-Part Dreams: Discovering the Rogue

Many dreams have distinct scenes, and it’s surprising how often those scenes come in threes. It’s also common to have multiple dreams in the same night, and those frequently come in threes as well. Maybe it’s just that our memories tend to organize themselves in sets of three—perhaps there was a fourth scene, or a fourth dream, that we don’t remember. Nevertheless, whether it’s a function of memory or a function of the dreams themselves, the pattern is significant, and can be useful when we are trying to relate to the dream world.

One way of looking at a three-part dream is to think of the parts as past, present and future. Something happened in the first dream, which leads to what happens in the second dream, which leads to what will happen in the third dream. Or, there’s a problem in the first dream (where the problem started), which becomes better or worse in the second dream (what is going on now), and could reach its best or worst potential in the third dream (what will happen if the trend continues). If you look at a three-part dream this way, you’ll see a development from one situation to the next, and that can certainly be meaningful in many cases.

However, time may not really be relevant to the unfolding of dream meanings. Modern physics suggests that our sense of past-present-future does not reflect the way things actually are. Time is not linear, and we can sometimes experience this in the dream world. Often, it’s not entirely clear which dream-part came first, second or third. Dreams can transcend clock time—with precognitive elements (showing future events in the waking world), or dream events that occur simultaneously, or with cause-and-effect dream elements that work both forward and backward.

For example, recently I dreamed:

I’m buying some food at a deli counter for tomorrow’s journey: a packet containing an egg-and-potato pancake. I walk past the produce display just as the mist-spray comes on—but it malfunctions and is more like a gushing sprinkler, which soaks my clothes…

When I tried to record this dream (which had many other details not included here), I realized that I couldn’t figure out which part happened first. It seemed impossible, but in the part where I was buying the packet of food, my clothes were definitely wet. And in the part where my clothes got sprinkled, I was definitely carrying the packet of food. So, somehow, each scene had to have been preceded by the other scene. Hm.

Because of such incongruities, I’ve been exploring other ways of looking at three-part dreams—where the three parts are interdependent in a more cyclical or multi-dimensional model that doesn’t rely on sequence.

Threes are dynamic. When you have two things, there’s balance or contrast. When you have four things, there’s stability. But three means that something is happening. Whenever two things interact, a third thing comes into being that is more than the sum of its parts. My own way of describing the “third thing” is to call it the “rogue.”*

In couple relationships, the two partners as individuals combine their energies, but the rogue of that relationship is a third individual in itself—often having characteristics possessed by neither of the two partners. A child is a rogue, because she or he comes from two parents and has an individuality that can resemble both parents, but is also unique and distinct. The rogue is not just a synthesis, but a leap into new possibilities. Continue reading

The Art of the Gesture: Dream Guidance in Gentleness, Genuineness and Generosity

What do I have to give? How can I create and offer a meaningful response to all that this life has given me? How do I do the work that is mine to do, convey the depth of my caring, and contribute actively to the well-being of this world, my own community, and my loved ones?

These questions become more urgent as I get older. Urgent, because I no longer assume that I will somehow begin to “give back” at some indeterminate time in the future… I know from experience that loved ones may die before I have given as much as I wanted to give; that the world around me and my own life keep rapidly changing all the time, and opportunities to make a difference might not be available when I think I’m ready. I know how easy it is to put off doing and being what I would like to do and be, and I know that I’m often too tired, or too busy, or too distracted to notice that the things I care about most are getting left out. I know that the years go by, and there’s so much I want to offer in gratitude and love… But, maybe this evening my back hurts, and I’ve already had several appointments, worked hard, run lots of errands, and I just feel like watching television with Holly or playing spider solitaire on my cell phone.

Because I have a degenerative disease that adds to my exhaustion and will probably shorten my life, I’m both more urgently aware of the need to give what I have to give now, and more easily spellbound by the need to rest, recover, and cope with immediate concerns rather than extending myself to make a creative effort. So, how to reconcile this paradox? I know I’m not alone in the dilemma. Most of my clients and friends, especially those who are over fifty, are wrestling with similar challenges in their own ways.

An example that will be familiar to many is my desire to get some writing done (articles, blog posts, a book) along with an equally compelling desire to do something—anything!—else. I’ve written and published all my life (usually wrestling with the process the whole way), and now that my health is problematic, writing is one of the primary ways that I can engage with others and make a contribution to the world. So, I really do want to do this work. But, when the time comes to do it, I’d almost always rather not. I’m easily drained, and concentration is difficult; there’s usually a good reason to give myself a break.

After years of experimentation, I’ve learned not to force myself into long writing sessions with high expectations, but also not to indulge in excuses that would allow me to avoid the issue entirely. Instead, I make a gesture toward writing every day: I write at least a sentence or a paragraph, or whatever I can do in twenty minutes, just to remind myself that this is important to me, that I care about doing it, and that it’s easier than I think. Of course, once I get started, I often keep going and work for hours, and whatever I have to offer in a particular piece of writing begins to take shape based on something truly heartfelt, rather than based on something that I think I “should” express.

Dreams have helped me develop this practice. In dreams, the possibilities aren’t limited by our expectations or excuses. Dreams invite the art of the gesture. Often, a dream situation will give me a new insight or direction, but I don’t know how to follow it up with concrete action in the waking world. Yes, that crazy dream was really important, but how the heck am I supposed to apply it to my waking life? The dream has given me a gift, but what do I do with it? I’ve found that any simple gesture (even just a pause for intentional thought or prayer) in response to the dream’s offering can be tremendously meaningful, because the dream points toward the vital essence of my experience, which is ready to be conveyed at this particular moment. Almost any expression of that dream-essence will resonate outward as a meaningful gesture, and will be in keeping with my own capacity to give and others’ availability to receive. It doesn’t have to look like a purposeful or important demonstration of anything.

Making a gesture in the direction of the dream, or in the direction of my own deepest intention, doesn’t require me to plunge right into a big enterprise when I’m not sure what to do or whether I have the energy to do it. When I make a gesture, I stand where I am (in my uncertainty) and tentatively reach out, allowing myself to experience just a little bit of my gratitude, longing, gifts and hopes, as well as my authentic desire to connect with others.

This kind of gesture engages the intrinsic human capacity for gentleness, genuineness and generosity. Like most dreamworkers and dreamers, I have a penchant for wordplay: the root “gen-” that these words share means that they are all connected in some way with creativity.

Gentleness is probably pretty self-explanatory: Whatever it is that I want to bring into the world and give to others cannot be forced—neither forced out of me, nor forced onto them. Genuineness is also fairly obvious: Giving cannot be contrived—ulterior motives just get in the way. Generosity may seem redundant—if I’m giving then I’m being generous, right? Well, not really, no. So often we give because we need something. Maybe we need others’ gratitude or recognition, or maybe we just need to feel that we have accomplished something or contributed something. These needs are completely natural, and not “wrong” in themselves, but any need comes from a sense of lack, a sense of deficiency, whereas the true joy of generosity is that it comes from abundance. We are all so gifted, so blessed—with our own unique creative potential, our love and caring and gratitude toward others—that giving can just spill over. As Rilke wrote: “May what I do flow from me like a river, no forcing and no holding back, as it is with children…” And this doesn’t mean I have to move mountains to make way—all it takes is a gesture, a small act of gentleness, genuineness and generosity, to release the flow.

The best metaphor for the profound gifts we have to offer the world might be the tangible gifts—like birthday presents—we might give to our loved ones. Though I often want to give something special to those I love, the usual forms of giving don’t seem to fit. The expectation of a gift exchange around holidays has become so commercialized, and most everyone I know has enough “stuff” already—to give a present can seem to create an obligation for reciprocation. Also, trying to figure out what someone else might want can cause me agonies of indecision, and can seem wasteful and disappointing when I suspect I’ve gotten the wrong thing. On the other hand, an authentic gesture of love and acknowledgement can be wonderful.

I always felt a genuine desire to give my mother presents, yet I had a difficult time coming up with an uncontrived offering for each special occasion (Christmas, birthday, Mother’s Day). So on holidays, I just made a gesture by sending a card, and the the rest of the year I made a deeper gesture by holding her dear, complicated, unique self in my heart, waiting for the right gift to come along. Out of the abundance of my own pleasure in the process, I recognized when something would truly delight her—and then sent it as a surprise, for no particular occasion. This became a gesture of spontaneous appreciation and affection between us.

I’ve wanted to make a similar kind of gesture toward my sisters, Jill and Didi, too—especially since our parents both died in 2015. I hold my sisters in my heart all the time, and often feel a longing to give them something meaningful that would make their lives easier and bring them joy. So far,  I haven’t found literal gifts for them like those I gave my mother. But a recent dream reminded me of the feelings of gentleness, genuineness, and generosity that flow through me when I think of them:

Gifts for the Family: I’m traveling with a group (walking the Camino?) and we stop for supplies at a huge supermarket. I must find everything I’ll need for the remainder of the journey, and it’s very stressful and rushed. Mostly I’m looking for groceries I can carry and prepare easily, but I also pass through a bookshop within the larger store. Can I find a lightweight book? There are too many options, and I’m feeling frustrated when I notice a display of beautifully-bound blank journals. Immediately, I think of my family—these would be perfect gifts for my parents and sisters. I know that Mom and Dad are dead, but it doesn’t matter, I can still give them something precious and personal. And I’ll find exactly the right journal to suit Jill, exactly the right one for Didi. My sense is that these blank books will represent all the love I feel for each of my family members. The books I choose for them will recognize the individuality and “wide open” potential of each of their lives. I’m not able to complete my choices yet, but I know that I’ll come back here after I’ve finished the rest of my shopping. The shopping task is no longer overwhelming. Now that I’m thinking about the gifts for my loved ones rather than concerned with my own urgency, finding what I need for the journey comes naturally. Choosing the journals will be effortless, too. I am happy and at peace.

Yes, this is a dream about “gifts for my family,” but it’s also about any form of giving, any original, essential gifts that a person might offer in gratitude and blessing to others. In the midst of the hustle and bustle of a lifetime, we struggle to meet our own immediate needs, carried away by the tasks at hand… and then, an opening appears, a way of making a meaningful gesture that guides us toward the true tasks of our lives, the work/play of giving and loving. Whether that work/play takes the form of art or music or writing, building, cleaning, planning, social activism, counseling, healing, teaching, gardening, discovering, collaborating… or just being fully present (pun intended!) to whatever task we have at hand—we all have something to give (gently, genuinely, generously) that requires “no forcing and no holding back.” Continue reading

Interview by Metka Cuk on the “Dream Owls” website

Metka Cuk, a creative and inspiring dreamworker and artist, has been interviewing other dreamworkers and dreamers, introducing us to the depth and breadth of the dreaming community. These interviews are posted on her delightful website, “Dream Owls: A Place to Talk About Your Dreams.”

Some months ago, she did a wide-ranging interview with me about my background in dreamwork and my spiritual journey with dreams, including connections in my life between dreaming and healing, hospice work, Buddhism and Christianity, the Camino de Santiago, haiku, and more.

Please click on the picture to read the interview, and while you’re there, you’ll want to check out “Dream Owls” and the many other wonderful interviews, as well as Metka’s excellent cartoons and artwork!

I hope you can imagine your own version of how dreams have affected your life… Think of how you might share your own dreaming story with others. Dreams take us to our depths, and reflect the vital heart of our lives—and sharing these stories can be meaningful for all of us.

Easy Does It: The Path of Least Resistance, In Dreamwork and In Life

Dreamwork doesn’t have to be difficult. We don’t need to come up with a “solution” to the dream, because the dream is not a problem or a puzzle—it’s an experience, and, like any other experience, is filled with rich potential, some baffling details, and a variety of emotions and perceptions. I’m learning not to view my waking life experiences as problems to be solved, but as offerings to be appreciated. Dreams, too.

What does it look like to do dreamwork the easy way? Well, in dreamwork, as in life, following “the path of least resistance” can be a meaningful practice. When I encounter a dream—either remembering one of my own or hearing someone else’s—the first step on the path of least resistance is simply accepting the dream without judgement or analysis. I might notice that the dream images bring up feelings of confusion, anxiety, impatience, amazement, boredom, revulsion, comfort, excitement, restlessness, distress, delight… maybe one strong feeling, maybe a jumble of different feelings, maybe just a bewildered uncertainty about how to respond. I don’t work too hard to catch every detail, but let the dream present itself in its own way, and let myself be drawn into the dream’s images, events, and emotions as they come along.

After accepting and experiencing the dream uncritically, my natural curiosity leads me to ask questions that will increase my awareness and participation in the dreaming. I’ll open my senses, and wonder about everything. If some aspect of the dream seems especially incomprehensible or uncomfortable, I just notice my discomfort and let it be. Like a kid playing in a muddy stream, I take a long twig and fish up weeds and rotting leaves from the bottom, build little dams and watch the water spread behind them, float bits of bark to see which ones are fastest, look for jewelweed (the leaves turn silver underwater) and touch-me-nots (the pods burst and scatter tiny seeds). I take off my shoes and socks and wade right into the dream. This is all-absorbing, even when I encounter slimy or spiny creatures, even when I dredge up old beer bottles, even when I step in a deep spot and get wetter than I intended. I don’t need a plan: one question or experiment naturally leads to the next, and learning happens easily in the process.

Recently, I had an opportunity to take a ten-day personal retreat—staying in a little cottage alone, surrounded by rolling gardens and brambly woods. A couple of times a day, I walked over to a nearby house to feed and visit with two nice cats while their family was on vacation, otherwise I had no responsibilities. I really, really needed this time away. I’d been coping with a glut of health issues, medical appointments, work and existential crises for several months without a chance to reflect, so I was overdue for a break.

I started out thinking I might get a lot of writing done. I could set up a routine of meaningful practices—meditation, haiku, journaling, T’ai Chi, listening to sacred music, studying, exploring nearby parks, working on my book… I’d come home with a better grasp of my life situation, and a solid sense of spiritual accomplishment.

But that wasn’t what I needed, and that wasn’t what I did. Instead, I took it easy. I sat outside or inside, reading for hours on end. I watched the doe and fawn who came by almost every morning and evening to eat the garden. I listened to the birds (finches, chickadees, woodpeckers… ostriches? pterodactyls?). I dodged the yellow jackets that plagued me while I ate lunch. When I felt like moving, I walked up and down the level, quarter-mile gravel drive—up and down, up and down, up and down… walking along the magnificent row of sequoias that line the drive, past a few small pastures where there were occasionally rabbits or coyotes.

No productive planning. No long, steep, bushwhacking hikes. No writing. No schedule. No spiritual practices other than presence and participation. Nothing significant happened. I didn’t work at it, but I learned what I needed to learn from the experience itself—just as I might learn from the experience of a dream.

During this lovely, easy retreat, I couldn’t remember many dreams (and I didn’t make much of an effort to remember them), but one just came along, like the deer, to graze around in my mind:

Treasures Keep Coming My Way: I have a sense that many precious things are to be found here, so I look carefully. There are a couple of shiny quarters on the sidewalk! A homeless man claims one of them (apparently, he can’t pick up both, since his hands are full) and I pocket the other. Then, I realize he needs it more than I do, so I give it to him. He grumbles, not at all grateful, but accepts the coin—and I feel that I did the right thing. I go on, keeping my eyes open… and there are more treasures! Around a gift-shop counter where a woman is buying some fancy crystal ornaments, I see many oval glass discs scattered on the floor. Some are coin-sized, some as big as my hand; some are clear glass, some amber or pale blue. They’re incredibly beautiful, though very simple. Each disc has a tiny animal (one is a fox) etched into its center. I gather them all up, feeling rich. But then I realize they must belong to the gift-shop, so I bring them to the counter and give them to the sales clerk. She thanks me warmly, and finds my name on her customer list (she knows my name?)—telling me she’ll check the discs against their inventory, and then contact me to give them back if any do not belong to the shop. They are apparently very valuable. But I feel no sense of loss as I return them. I anticipate more and more treasures waiting for me.

 The more we give away, the more we have. Yes, of course, this is a cliché, but a very true one.

Ordinarily, I’m stingy with my energies, fearing I won’t live long enough to live fully, believing that I need to hoard my resources and my time, insisting that I must work very hard so that I don’t waste my precious life. But my retreat (and my dream) remind me that this isn’t true. Life can be easy—we can squander it, share it, give ourselves away and set ourselves free to follow an apparently random path that goes nowhere in particular… and the world will offer itself to us, willingly, again and again.

Dreamwork is easy when we drop our resistance and our itineraries and follow that plain path, appreciating whatever we find. Look at those sequoias—each one is different! Look, what a huge, scary spider (and don’t walk into that web)! Listen, I think I hear a Swainson’s thrush! Ah, let’s sit and rest for a bit… there’s no hurry. Another day, another dream, another treasure. Easy enough.

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