Dreamwork as Spiritual Practice

Category: Threshold Work (Page 1 of 2)

The Ninth Dog Guards The Threshold

[This “Dream Alchemy” column, first published in DreamTime magazine in 2019, includes a dream that still raises questions in my mind about the true meaning of healing. Now, more than four years after it was written, I’m touched by the innocence of my approach to the dream, my idea that the “ninth dog” resting across the threshold and blocking my way, might be suggesting that my need for rest would require nine weeks, after which I would be ready to return to life. Healing turns out to be a much more complicated process—and the dream, too, is rich with imagery that I don’t/can’t fully understand. Dreams are mysterious; they don’t offer formulaic answers to our questions, though they do allow us glimpses of potentials, impressions and openings. In this dream, the experience of the dreaming itself was a form of healing that unfolded over nine weeks, nine months, and beyond. Some healing is completed, some is perpetually in process. My intention is to remain aware of my own changing understanding over time.]

What are your intentions as you work with dreams? Whether we are researchers, artists, therapists, educators or explorers, our dreams can be some of the most powerful, potentially sacred, experiences in our lives, and we should approach them intentionally and respectfully.

Whatever we bring into the world, the intentions that guide our actions really do matter. That was true for the ancient alchemists, too. If their intentions were selfish, their experiments were likely to end in flames and failure rather than successfully realizing greedy dreams of gold, power, and immortality. 

When I offer workshops (about dreams or anything else), I always begin by sharing my intentions for this gathering of people, this unique event: 

  1. I intend that we will be reminded of things we already know.
  2. I intend that we will learn something new.
  3. I intend that something special will happen among us: an alchemy that can take place only here and now. 
  4. I intend that whatever happens here and now will expand outward to touch others and spread beyond our imagining.

These intentions are very broad, of course. I think they can be applied to many different kinds of endeavors, and they can certainly be applied to dreamwork. Dreams themselves serve all of the purposes expressed by these intentions: they remind us of what we already know; they show us something new; they create an experience in themselves; and they can expand beyond any one dreamer’s experience to reach others in ever-expanding ways.

Here’s a dream that expresses these intentions clearly:

The Ninth Dog Guards the Threshold: I’m in deep woods, being chased by a pack of wolfhounds. They are not mean dogs—but they are guard dogs, and I am in their territory. For refuge, I run to an isolated house; an older woman meets me at the screen door and lets me in. The dogs come in, too, but she provides protection and will help me deal with them. She explains that we can’t manage the dogs as a pack—each dog needs something different. One dog needs information, understanding. Other dogs need other things: some have emotional needs (comfort, kindness, patience, reassurance); some have physical needs (petting, feeding, healing, play). The dogs become calmer and friendlier in the woman’s presence, and I know I can follow her example and be safe with them. But now the woman is speaking urgently, calling for my full attention: “Not all the dogs are here! Where is the ninth dog?” I am confused by the question. Why does it matter whether they are all here or not? Also, there are only six dogs—are there supposed to be nine? She’s insistent, so I recognize that the ninth dog is especially important. I look for him, and find him. Unlike the other dogs, he’s a black lab. He’s sleeping on the threshold of the doorway where I entered. He wakes, stands up wagging his tail drowsily, greets me, then lies back down. He’s not threatening at all—but not budging either. He won’t let me cross the threshold until it is time. For now, we must let him sleep. 

The dream helpfully reminded me of something I already knew. I was recovering from spinal surgery, and the wolfhounds expressed the many urgent needs that were “hounding” me. I would have to tend those needs one by one, in a safe place, under the guidance of the wise woman who represented my own inner wisdom. The last dog affirmed my need for rest, and I couldn’t cross the threshold and return to active life until all the dogs were satisfied, especially that one.

I also learned something new. The question “Where is the ninth dog?” led me to wonder about the significance of the number of dogs in the dream. Apparently there were nine dogs: six chasing me, two absent, one guarding the threshold. The specific numbers made sense if I looked at them in terms of time: It had been two weeks since I’d left the hospital (those two dogs were absent because they’d already caught up with me—their needs had been met), but there were still seven more weeks, seven more dogs presenting their immediate needs. I’d hoped to return to work after five weeks of recovery, but the dream suggested I’d need more time—a total of nine weeks. My healing would take longer because there were many physical, emotional and spiritual needs still to be met. The first need was for me to “get” this information, to understand; and the last, most significant need was for rest. Because the wise woman insisted that I find “the ninth dog,” I was compelled to pay attention. As it turned out, I needed those extra weeks since new cardiac problems and pain issues developed, and prolonged rest was absolutely essential to my healing. It wasn’t enough to accept my own needs conceptually—I had to learn what these dogs were asking of me. I had to change my expectations, and my plans. I had to allow myself to be changed. 

A powerful alchemy occurred within the direct experience of the dream. I truly felt the fear as those needs threatened to overwhelm me, the relief when I turned inward (entering the house) and found a guide who could respond wisely. I felt genuine recognition when I found the sleepy “ninth dog” on the threshold, and acknowledged my own profound longing to rest, to satisfy the simplest and deepest need of all. This was the need that lay behind every other need, gently but firmly preventing me from crossing the threshold. The “black lab” was the blackness of night, the transformative laboratory of sleep and dreams where authentic healing can occur—a place where I could rest in the deep darkness of my inner unknowing, to be restored and recreated. 

So, this dream spoke to all of my personal intentions: I was reminded, guided, inspired and changed—and after all of the dogs had been satisfied, I was released to share what I had learned by living this dream in the world, letting its meaning expand and spread beyond me. All sacred ceremonies follow a similar pattern. Like our dreams, they are shaped by fundamental spiritual intentions that include revisiting the wisdom we already hold, making new discoveries, invoking and inviting transformation… And, finally, there’s a “sending forth,” where the individual and collective experience of the this unique time and place can be scattered like pollen on the wind, to seed new possibilities, new dreams. 

Perhaps every dream is a kind of ceremony that potentially expresses our best intentions, holding us in the crucible of transformation (guarded by the “black lab” of sleep, and “hounded” to meet our own essential human needs), until we can be “sent forth” to share that which has changed us.

[This article was originally published in the Fall, 2019 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

Dream Alchemy

[Welcome back to Compass Dreamwork! After a three year sabbatical, I’m finally emerging from hibernation, blinking in the sunlight, ready to reconnect. It’s been a difficult time for many of us, and it’s good to return to my dreaming community, to share ideas and, I hope, hear from some of you as well. Instead of writing a regular blog, I’ll be opening up the conversation by posting articles each month that were originally published in my “Dream Alchemy” column for DreamTime magazine. If you’re a member of the International Association for the Study of Dreams, you might have seen the column, but if not, the articles will be new to you. From time to time, I’ll be sharing other essays and excerpts from various projects I’m working on. I hope you enjoy reading what I’ve written, and I invite your comments. ]

Each night as we sleep, the caldron begins to bubble. Unremarkable raw materials, mixed with infinitesimal droplets of mysterious tinctures, get cooked down to their essential elements. A cleansing steam rises as the impurities are filtered out, and the elements interact in new combinations—sizzling, sparking, shrinking and expanding, changing color. The pungent catalyst of emotion sets off a chemical reaction. Images appear in the drifting smoke. Occasionally, something explodes. Sometimes we have to discard the burnt sludge at the bottom of the beaker and begin again, but often there’s a glimmer of gold. Deep transformation can emerge unexpectedly from the chaotic process of dream creativity, rewarding us with bright insights and alchemical treasures: precious metals, the Philosopher’s Stone, the Universal Solvent, or even the Elixir of Immortality. When we begin to experiment with our dreams, we discover that anything is possible.

As we dream, a strange concoction is created. Whether we see this concoction as a psychological experience, a neurological event, a profound message, or an encounter with other worlds, our dreams represent a dynamic aspect of our lives that can inspire us to experiment. As we explore our dreams, we find ourselves delving into the vital essence of our perceptions, our choices, our beliefs, our relationships, our environment. Dreams are strange. They give us plenty of raw materials, but it’s up to us to simmer, stir, titrate, distill and filter those materials, using our tools and skills to realize their potential. We really don’t know what we’re doing when we’re dreaming, but if we bring curiosity and courage to our dream experiences, we can find authentic valuables in this process of alchemical investigation. 

I’m calling this column “Dream Alchemy” because both alchemy and dreamwork have to do with finding meaning and life in a transformative process that includes everything: the worst and the best, the mundane and the miraculous, the corporeal and the ineffable. I’ll be exploring dreams from a wide variety of perspectives, applying what I’ve learned from others and what I’ve discovered through my own alchemical investigations and life experiences.

Because of my particular background and inclinations, I’ll be emphasizing certain aspects of dreams and dreamwork. As a dream alchemist, my apparatus includes: 

1) Working with dreams about death, and particularly the kinds of dreams we have when we are ill, grieving, aging or experiencing big life transitions and thresholds. I’ve been exploring my own death dreams, and studying death dreams in hospice chaplaincy, pastoral care and spiritual direction contexts for many years, and they seem to represent a concentrated quintessence of change and renewal. 

2) Working especially with unpleasant dreams, difficult dreams and nightmares, because they invite the alchemy of transforming heavy, dark substances like lead (or feces) into gold. 

3) Finding meaningful ways that dreams can change the world—exploring the implications of dreamwork as a personal task or quest that can be part of a larger, universal task or quest. The metaphor of dreamwork as pilgrimage is especially significant for me, and I want to explore how the dream-pilgrimage of an individual lifetime reflects and contributes to the shared journey of all living beings, the whole earth, the cosmos. 

4) I’ve been a student of world mythologies all my life, because they express central human existential concerns: the nature and origins of our existence, consciousness, identity, reality. Mythologies and dreams are manifestations of our longing for the Philosopher’s Stone, our endless search for meaning, which can be conveyed as story, rich with metaphor, paradox and mystery.

5) Fun and creativity! I love turning dreams (and waking life) upside down and inside out, like an alchemist messing about with ingredients, stirring up and sometimes exploding the “stuff” of our waking and dreaming experiences so that new and surprising substances can come into being.

There’s a lot of dream alchemy ahead in this column… so, watch this space! 

Here’s a dream, to play with:

Giving Away the Marble: An older, wiser woman has a lot of wonderful small objects: marbles of all kinds and tiny stone animals of all species. I get to keep a few of them, and I’m trying to choose. A man with a toddler is nearby—I offer the boy a little giraffe (now a stuffed toy rather than stone) and a clear marble that reflects everything upside-down. He accepts the giraffe, but ignores the marble. I roll the marble on the floor, and it becomes much larger, the size of an earth globe. It is mostly clear, a slightly irregular glass sphere with sparkling lights in it. I pick it up (it’s heavy!) and feel its shape—finding it beautiful. Now, the man would like to have it, but I would like to keep it. I decide to give it to him.

Alchemical transformations occur in this dream: the stone giraffe becomes a stuffed toy; the marble, when rolled on the ground, becomes a sparkling glass globe; my desire to keep these treasures becomes a willingness to give them away. Gifts are passed on from generation to generation as the old, wise woman gives them to me, and I give them to the small boy and his young father. 

What are these gifts? They are simple, toy-like, and “wonderful”—the kinds of gifts we all need to inspire our growth and development. The child accepts a giraffe—an awkward yet graceful creature with a long neck, reaching for the heights—just as this child will eventually, inevitably, grow into the longing aspirations and awkward grace of adolescence. Instead of a hard stone animal, this giraffe has become a soft toy, supple and comforting. 

I’m a woman in late middle-age, so the gifts I choose (marble and giraffe) represent things that I can appreciate but know I can’t really keep. I recognize that the child should have the chance to choose, too. The marble is still mine for now—the spherical glass jewel that reflects everything within it upside-down… but then I roll it on the ground, on the earth, and it grows into an entire globe-like world, slightly irregular, imperfect, but full of sparkling light. It is heavy, too heavy for one person to carry forever. Even Atlas had difficulty carrying the whole earth; I can’t carry it for long. Much as I’d like to hold onto my important role of bearing the weight of this beautiful world, I recognize that the next generation needs to receive it from me. And so I give it away, just as I gave away the giraffe. Maybe now I’ve become the wise old woman myself, passing on the blessings I have in abundance.

The shifting shapes of our dreams give their gifts freely, playfully, to the holy alchemical fire that will transform them. We grow, age, choose, offer, receive. Let’s explore the transformative power of our dreams together, sharing the gold that results from our experimentation. I’ll be looking forward to the expanding possibilities of this column, and the dream-alchemy we can create together. 

[This article was originally published in the Winter, 2019 issue of DreamTime Magazine. If you enjoyed it, please consider subscribing to DreamTime by joining the International Association for the Study of Dreams ]

Bowing To One Another

Click on the photo for “Bowing to One Another”

I don’t have a new blog post this month, since I’m still healing and taking time for reflection before writing more. Instead, I’d like to share an article about vulnerability that I wrote for Presence magazine. Presence is published by Spiritual Directors International, so this article is specifically connected with my work as a spiritual director (which includes working with dreams)—but the larger theme of relationship and authenticity is certainly applicable to other contexts.

“Bowing to One Another” was written over a year ago, and although I was coping with illness and loss at the time, my understanding of vulnerability was still developing. Then, my central consideration was how vulnerable I should allow myself to be with other people, particularly with clients. By the time the article appeared in print last June, however, I had gone through major surgery and a month-long hospitalization, and vulnerability meant something quite different to me. I’m now learning about a more profound level of vulnerability, which has little to do with allowing or choosing.

So far, I’m not really ready to write about this deeper sense of vulnerability—perhaps because it must be fully experienced (willingly or unwillingly) alone, before it can be shared. But, eventually, this, too, is an experience I hope to be able to explore with you in a meaningful way. In the meantime, please join me in contemplating the essential, preliminary question that I posed in writing this article: What does it mean to be vulnerable with one another—in our work, and in all of our relationships?

[Click on the photo for the article]

Out-of-Body: A Mystery

During my hospitalization in May (following spinal fusion surgery), I had an “out-of-body experience” that was on the threshold of a “near-death experience.” It wasn’t a dream, though it may seem somewhat dream-like as I describe it:

I’m sitting up uncomfortably in bed, trying to remember how to eat and drink. My partner Holly is feeding me tiny bites of food. Swallowing is painful, exhausting and scary. I’ve choked several times already, but I think I’m managing okay. Holly turns away for a moment while I rest between bites, and suddenly… I’m up near the ceiling. The room is whirling slowly, as if I am on a merry-go-round, or as if I am weightlessly turning in space. Everything looks much clearer than normal—stunningly bright and gorgeously detailed. The upper panes of the tall windows come into view, dazzling me with sunlight and sky. I can’t ordinarily see that part of the room from my bed, but there it is. The pocked surface of the ceiling tiles, the lintel of the bathroom door and the gap of the doorway pass by. The television mounted high on the wall shows a PBS children’s program with Buddy the adorable orange dinosaur grinning and revealing his T-Rex teeth (rounded, cartoon teeth, that don’t look dangerous). The room is fascinating, lovely, as it swings around and around, suspended, like a mobile in a warm breeze. What is happening? I wonder, but I’m not worried. Then Holly is shouting my name, shouting at me to breathe. There’s a a loud buzzing and everything becomes harsher and blurrier than it was a moment ago. I’m back in bed. Holly is leaning toward me, her face desperate. I try to reassure her, though I don’t know what’s going on. She apparently called for help, and now the room fills with people. I try to explain, but I can’t explain. Someone else explains what they saw on the monitor: my heart stopped for seven seconds. My heart still isn’t working right. It feels awful. Now, there are plenty of things to worry about. My heart is in atrial flutter, my blood pressure is way too low… Did I choke? What caused this, and what if it happens again? Soon my bed is jolted into motion by a team of young men and I’m clattering through the halls at high speed on the way to the ICU, leaving Holly behind.

Although the “out-of-body experience” itself had been curiously pleasant, it was soon tainted by the nightmarish days that followed. I kept asking myself the same unanswerable, existential questions over and over, “What happened? How could it happen so suddenly, without any warning? What if I’d died?” My body was a precarious place to be. 

I didn’t die, and the separation between my body and me lasted less than a minute, but the experience was so fundamentally strange that I couldn’t leave it alone. Unlike slipping into the alternate reality of ordinary sleep, I’d been catapulted right out of my identity—still in the same room, but no longer in my body, no longer in my own life at all. If the separation had continued, where would I have been? Not whirling around the ceiling in that hospital room forever. There wasn’t enough of “me” to grasp—but the world (even the orange dinosaur on television) was so clear and complete in itself that it didn’t seem to matter what happened next. In the midst of the out-of-body experience, I perceived the world as a puzzling and pervasive sweetness. But immediately after it was over, I started grappling with the mystery: How could I have perceived anything without my body? Who experienced this experience? Certainly not the same helpless, frightened and wretched patient who was tormented by these questions in the ICU afterward.

In the three months that have passed since this experience, the big mystery of “not knowing” has become a lot less traumatic than it felt at first. Instead of being preoccupied with relentless questions, I keep remembering the ease of that sparkling, turning world, where I wasn’t embodied and no questions needed answering. The strain of surgery and hospitalization had triggered some cardiac arrhythmias that briefly disconnected my body from the directed flow of my life and myself—as if I’d been unplugged. Somehow, I was still present to experience the unplugging. But I don’t know whether that was death, or just a glimpse of what it’s like not to be entirely corporeal. We are never entirely corporeal anyway. Our dreams allow us to forget our physical bodies, or at least to perceive them differently, on a regular basis—yet this was nothing like a dream. In a dream, the world is insubstantial (even though the dream seems real), but in this out-of-body experience, the world was acutely manifest, while I was nothing but awareness.

The world I see from my everyday perspective is somewhat blurry, distorted by my well-worn 59-year-old eyes and habitual expectations. Yet somehow, without physical eyes, I “saw” this world with the dazzling clarity of pure vision. My body was confined to the bed, and I couldn’t turn my head (due to the spinal fusion), but somehow I saw—accurately—parts of the room that I couldn’t have seen through my physical eyes. How is this possible? I don’t know. Why was everything going around and around? I don’t know. I was a point-of-view rather than a personality, yet this “point-of-view” had distinct characteristics and a way of experiencing that surprised me. Whatever “I” was, I could be surprised! Not knowing, and not needing to know, made this constantly shifting perspective feel spacious, fresh, and quite easy; in its enchanting impossibility, it was perfectly real.

Having seen the world in this way, there’s an opening for me now. As I recover my strength, resume my work, and see my life from a new perspective with a newly healing body, I’m finding that the easiest and best response to every question I encounter is, “I don’t know.” How has the ordeal of serious illness and major surgery changed me? I don’t know. Where will I go from here? I don’t know. How should I respond to the thousands of tiny, pleasant and unpleasant surprises I encounter every day? I really don’t know. Though I find myself responding, one way or another, to each moment, there’s nothing I “should” do or be. I really don’t need to be certain about anything. It’s delightfully liberating, not knowing. There’s space—like sky—between the cloudy, complicated questions. Instead of defining and redefining myself and my circumstances, coming up with plans and explanations, I often find myself floating, weightless, in slow circles, just looking at the world as it drifts around me. Can I be a point-of-view rather than a personality? When my mind gets snagged on something and starts grappling again, can I remind myself that uncertainty is not a problem? I don’t know. And that’s fine.

Flashes of Memory and Dream

As I prepare for sleep, I lie in bed with a book and let my mind drift. It is peaceful; there’s nothing to be done, nothing to be decided. Drowsiness comes over me slowly, and during this interval between bedtime (according to the clock) and the untethered dreamtime, I often have flashes of memory that are unlike the everyday “remembering” that makes up the narrative of my life. Instead of remembering events and stories linked together sequentially, I experience memories that have no beginning or end. Perhaps they are located in space rather than in time. They are vivid impressions of a place, a situation or a circumstance from my past, with all of the vivid sensations and emotions of the immediate experience. 

This is an entirely different kind of memory. It is not really like remembering at all. It is an eternal present, an unfolding moment fully realized. It is as real as now, lying in my bed with my book. Here comes a moment: In my first grade classroom, the dusty, nutty smell of the pencil sharpener, the oblique afternoon sunshine falling through tall windows and warming a corner of  my desk, so many details along with the feeling of being six, forever. As if that moment, that day, never actually concluded or became another day. As if I could resume that life any time, and live into it. And then the memory flits away and another alights: A salt marsh on a winter night, cold stars, frozen tussocks of grass, reflections of silvery alder saplings in the dark water, wind low to the ground and wood smoke rising, the feeling of being twenty-five, forever. I could slip back into that life just as easily as falling asleep now. 

These memory moments keep coming, almost every night. Sometimes, I turn them into more ordinary remembering: I think about first grade, the classmate who died of leukemia, my mother picking me up at the end of the school day and taking me with her to the college library where she would study while I read my treasury of Peanuts comic strips… Or I think about what happened next, after I left the rough log cabin on the salt marsh and moved to another cabin on another island on the other side of the country… But these ordinary, orderly memories are like remembering the story of an experience, rather than the experience itself. Most memories are really just the memory of a memory. By contrast, my immediate memory flashes are far richer, far deeper: I can taste them, smell them, breathe into the many dimensions of actually living those experiences. It’s better not to elaborate them, or organize them. By themselves, as impressions, they allow me to experience immortality. As if, somehow, every moment of my life is ongoing, as if every moment is a hologram containing all of my experience, and nothing can ever be lost.

I love these memory moments, these momentous memory flashes—they seem to be a gift that has come with aging and illness. When I am too tired or too ill to be somebody with a whole personal history to sustain, I can let myself be made up of moments. Just these flashes of perfect presence. Sometimes they are so poignant that they are painful, but even the painful moments are to be savored. They come and go so quickly, taking no time, lasting forever. I imagine this is what is meant by the idea that “your whole life flashes before your eyes” when you die. I’m not dying at this time (as far as I know), but I’m understanding how it might be to die—to live instantaneously and simultaneously, experiencing all possibilities as “now.” 

Some of those flash memories have no context—I don’t know exactly where or when they fit into my life story: …a dimly lit hallway with a thin pink carpet, a staircase descending to the left, closed apartment doors on the right, a feeling of mild apprehension and also curiosity, the feeling of being lost… Perhaps they are moments that weren’t substantial enough to add to the narrative of my life events, or perhaps they are moments from the future rather than the past. Perhaps they are even someone else’s memories. Yet, they are real, and they belong, in a way, to me. 

Obviously, the kind of memory moments I’m describing have a lot in common with dreams. Like dreams, they are filled with vivid impressions and emotions, but can be very difficult to describe, and impossible (or unnecessary) to hold onto. In order to remember dreams as stories that we can share, we generally manage to find a narrative structure that approximates the experience of the dream while giving it a linear coherence that can be followed. All the rest of our dreams are forgotten, but perhaps still present within us as moments, as flashes of experience, flashes of life being lived onward and inward.

My theory is that when we are young adults or teens our dreams often seem more like accounts of consecutive events. We fill our dream-journals with long, detailed narratives. But when we are small children or older adults, our dreams may be more impressionistic, more like those flashes of momentary memory that don’t lend themselves to narrative as readily. This makes sense because young adulthood is the time when we shape the story of who we are and what has happened to us. By contrast, when we are children or elders, doing things and describing what we’ve done may be less important than just following life as it unfolds around us and within us. 

Children and elders can sometimes dream (and live) in the midst of experience itself, rather than perpetually retelling the stories that define their lives. Of course, throughout our lives, we still want to “get a handle on” our stories and make sense of ourselves, but maybe in childhood and aging we’re more willing to give that handle a twist and let it go, rather than trying to wrench and wedge it into a set position.

Perhaps this is why remembering dreams often gets more difficult as we get older, and why children’s dreams can seem so disorganized. I’m trying to understand why I, and many of my clients (who are mostly over fifty), wake up feeling that we have been completely immersed in a dream reality, yet even though we grope around in our minds, looking for that “handle,” we cannot find the faintest thread of a dream memory. The impression is strong, but the narrative isn’t there. 

At this time in my own life, making a story out of my experiences seems less and less important. I’m even accepting the fact that few of my dreams can be remembered in the unequivocal way they once were. Not so long ago, I had a clear sense of the narrative trajectory of “me,” my memories, my dreams. I could tell you who I am, where I’ve been, what I’ve done, what I’m dreaming, where I’m going. But as the uncertainties and losses mount, I’m losing the thread. Yes, I still know my own story, and it still interests me… but I don’t know where it’s going, and I’m not sure who I really am or what will become of me. I’m aware of death—that stark perspective reminding me that I will eventually be forgotten—yet also more aware of life. The kind of remembering that matters is like my momentary memories, like impressionistic dreams, rich with the experience of being alive in a particular way, right now, exquisitely, eternally. My flash memories remind me that I have always been alive in this way, maybe even beyond this lifetime. Someone has been experiencing something, always. We are all experiencing. Maybe that’s the only thing we really are. Our dreams, our waking lives, all of our moments in this world—this is authentic reality.

As I write these words, I pause. The clock chimes and keeps ticking, the world is humming around me. I notice this moment. I can’t even describe it. Maybe, later in my life, this moment will come to me in a memory flash or in a dream. Maybe someone else is experiencing an identical moment right now. Maybe this same moment has been going on since before I was born. No moment is really separate from the next. Past is present, present is future, and forever is everywhere and always. Do you remember?

Just Walk

A big dream of mine has become a reality. The book that I’ve been dreaming and writing for the past couple of years is now a living being, made of actual paper and ink: Just Walk: Following the Camino All the Way Home. When I walked the Camino de Santiago in 2016, this book was stirring deep underground, breathing beneath my feet at every step. And when I returned home and found myself grappling with some serious health issues, the pilgrimage continued in my everyday life and the dream of telling its story began to emerge—first in fragmentary whispers on the edge of sleep, then flowing slowly into wholeness.

For me, the Camino pilgrimage was an experience of immediacy. I couldn’t reflect on the changes as they were happening; it was all I could do to “just walk.” The process of integration happened gradually, as I stepped through the mirror to follow the Camino again in reflection, discovering dynamic soul connections between that journey and my life’s journey, between past and present, grief and love, stillness and movement, courage and vulnerability, solitude and community, wellness and illness. Although those connections were intimate, they were not merely personal—they were beyond me. I needed to make something out of them that could be shared. Thus, the book.

Because of my work with the world of dreams, where the dynamics of the imagination are truly real, I know that this book is not only a real physical object, but actually alive: it is tender, funny, contrary, painful, joyous. And right now, as I’m recovering from a life-changing surgery (multi-level spinal fusion) that literally took me apart and put me back together again differently, I’m also watching how this book, this reflection of my lived experience, has fundamentally changed me, and how it has the potential to change others who may read it. The book itself will change, too, becoming richer as it is read.

If you read it, the book will be yours, and it will whisper to you like a walking-prayer, accompanying you on your path. I hope you will read it.

[to find the book, click on the photo]

Resistance and Dream Catharsis

It seems peculiar that when so many profound spiritual and physical changes are occurring in my waking life, my dreams continue to be uncomfortably uneventful. I’m having lots of what I call problem dreams, the dreams that drain energy, vent frustration, and express unproductive struggle. In these dreams, I’m trying to do something or get somewhere, encountering petty obstacles, feeling impatient, inadequate, exasperated, resentful and worried. Do you have dreams like this? Problem dreams are extremely common. They’re like the “filler” that takes up space and time in our lives, the day-to-day entropy of irritation and expectation that fills in the gaps while we’re waiting for something more meaningful to occur.

Ironically, I’ve been quite free of such “filler” in my waking life lately. While my physical health has declined rather sharply, I’m finding ease and meaning in the unfolding of my everyday experiences. The obstacles I encounter while awake are very real, but somehow acceptable; yet at night, in the relatively harmless dream world, I’m tripping over every step, struggling with every task, resisting all the way. 

Jung wrote of the compensatory quality of dreams: how they balance our waking life experiences by showing us what we’re missing about our reality, how they restore wholeness by including what’s being neglected. In my own case, however, my “compensatory” dreams don’t seem to be inviting me to integrate these neglected, problematic elements into my waking life. Instead, they seem more cathartic, helping me to discharge energies that would exhaust me if I acted them out during the day. It seems like I’m getting the usual messy business of wrestling with difficulties out of my system in my dreams, so I can ease up when I’m awake. 

My primary spiritual practice right now is “Don’t Waste Energy.” My symptoms are exhausting enough, and I want to appreciate the life I have, not expend scarce resources on unnecessary resistance. For the moment, I have to deal with increased pain and neuropathy, increasing debility, and the threat of further deterioration. None of this is under my control, though I do have a say in how I’m going to respond, and everything is improved by a response that is yielding rather than confrontative. My health issues also put me directly in the path of a dysfunctional and absurdly obstructive medical system, which is nevertheless staffed by many kind, capable practitioners—so when I encounter difficulties (the referral inadvertently lost; the long-awaited appointment accidentally canceled at the last minute; the insurance billing misdirected) it is a waste of energy to rage and blame the decent people who are just trying to do a good job in a bad business. It’s better for me to dream and re-dream my relentless, unsolvable issues than to take them out on myself and others when I’m awake. 

At a deeper level, all of these draining difficulties are only difficult because I’m afraid. The physical symptoms and the ineffective health care system only exhaust me because they scare me, they make me aware of my own helplessness in the face of my mortality. Every exasperating problem, finally, comes down to an encounter with the truth of how vulnerable and ephemeral we all are, how little control we have over our lives or our deaths. In dreams, I’m feeling the frustrating futility of fighting, so when I’m awake I can open my arms to the shared experience of being human; I can let my own transitory suffering soften my heart. I can embrace the awesome depth and breadth of our humble, meaningful moments together—the ways we need each other, the ways we care for each other (friends and strangers alike), however imperfectly. 

I’m facing the prospect of a major spinal surgery that would restructure my body, and thus my sense of myself, completely. My vertebrae are stacked crookedly, pressing into the spinal cord, and so the spine may have to be straightened and fused—cut, broken, rebuilt. It’s difficult to contemplate being taken apart at my very axis. My spine is the tree that springs from the source of me and spreads the branches that manifest me in the world, the twigs that leaf out into my life. How frightening to permit such drastic pruning. And not to be pruned by my own cautious clipping and splicing, but to give myself over to whatever hands I have to trust. 

While my dreams take on the tangled negotiations between my idea of me and my resistance to what happens to me, my waking life is free to experience itself happening. While walking or meditating, I hear the background chatter of my fears, like the ambient noise in a busy airport or, more pleasantly, like rain pattering on the spread leaves of my life, or wind rocking the branches so they rise and fall out of sync with one another yet rhythmically. I can almost feel myself as mere awareness, sheer awareness, pervasive as sunlight or darkness. This is the truth behind all of the stories that nest in my branches, or the insidious little worries that infest my heartwood like boring insects. The sunlight is everywhere and nowhere; the darkness is everywhere and nowhere. Sunlight feeds each individual tree. Darkness is quiet. This is okay; I can live like this.

For now, my problem dreams gnaw at my sleep, but they don’t bring down the tree. In fact, there’s a kind of symbiosis going on. The dreams live in me, and they give me permission to let them be. Usually, I think of dreams as deeply important, to be explored, but these dreams are meant to be left to get on with their work, releasing me from resisting them. I don’t need to bushwhack my way toward some sort of answer. I can step back for a larger view of the thriving chaos of my life. I can witness the chaos, allow it, even love it. When I’m not resisting, I stand in the sunlight, and shine, as we all do. 

Tree Medicine: Existential Dream Wisdom

Sometimes dreams seem to offer direct communication from the natural world—bringing guidance that reconnects us with the earth itself, and reminds us that we belong here. Our bodies are made of the same essential elements that make up all life, and we are part of the intricate and magnificent ecosystem that includes all living beings.

The Tree Is Not Afraid of Death: There’s a single row of red-cedar trees along the edge of the parking lot. A woman is clinging to one of the trees, crying. When I approach, she tells me that this one is her special friend, and they are going to cut it down. The whole place is under development. I see an arched doorway carved all the way through the trunk of the tree (like the tunnels in giant sequoias that cars could drive through—but much smaller). Since the trunk is just a couple of feet in diameter, and the doorway is about eighteen inches high and six inches wide, it’s a gaping hole, so I’m surprised that the tree seems healthy in spite of the damage. Some of the other cedars have doorways as well.

The woman begs me to protect her tree—not to let it be destroyed. I don’t know how to respond. I think that I have no authority to prevent them from cutting down the tree. Then, I think maybe they really aren’t planning to cut it down, since this row of trees was left standing when all the others were bulldozed to clear the lot. But these thoughts don’t seem particularly helpful; the woman is truly desperate.

 I put one hand on the cedar and the other hand on the woman’s back, and I tell her, in a clear, strong voice: “You know, this tree doesn’t fear death the way we do. This tree feels no separation between itself and the earth. For the tree, death is just returning to the earth, becoming earth. The tree is already part of the earth.” I’m astonished at my own apparent arrogance in speaking for the tree—but the voice just seemed to come out without my volition, as if the tree had spoken directly to the woman, through me. The woman is comforted. She knows she can trust her connection with the tree, and the tree’s connection with the earth.

It is not really surprising that the trees in our dreams might speak to us, or through us; trees and dreams are rooted in common ground. Although our human business may seem to separate us from nature and from our dream-source, nothing, not even death, can uproot us from the ground of our being.

I’m often preoccupied with the big existential questions that tend to trouble our earnest human minds. As my health is tenuous, the prospect of death has become very real to me. I know that I am finite. Sooner or later, I’m going to be cut down. So, the part of me that is clinging to life, the part that thinks it’s special, the part that is uniquely “me,” the part that will die—that part of me is worried. I’m attached to being me.

Many people say that they’re not afraid of death, they’re only concerned about what the dying process will be like… Will it be painful? Will it be undignified? But, for me, the dying seems no different from what we’re doing all the time—sometimes it’s painful and undignified, sometimes it’s not—it’s just living. When I get close to death, I’ll still be living, in one way or another, I’ll still be me. I’m curious about the dying process. But dying always ends in death. And death is the end of me. At least, death is the end of the part of me that worries about me. Death is the end of my familiar, human business.

Still, the trees remind me, there’s more to my life than this identity, which is always “under development.” When I had cancer in my thirties, I was too ill to worry so much about dying or death. I relaxed into the larger life of the natural world around me. I noticed the slow-growing trees whose business was just absorbing sunlight, drawing water from the soil, making leaves and losing leaves, sheltering birds, animals, insects, and reaching toward the sky. Looking at the old ones—the big oaks and cedars and beeches and redwoods—I felt peaceful knowing that they might go on living long after my death. The trees reassured me: being dead would be like life expanded to include everything, with no business to get done and no place else to be.

All this lovely philosophy was helpful then, but now it’s not so easy. I’ve seen too much death in recent years. I’m tired and I feel the limitations of my body and my small, restless, anxious human mind, yet I’ve got a pretty strong attachment to being ME—and staying this way forever, if I can manage to hold on. Of course, I can’t. Even long-lived trees don’t live forever, let alone busy, ephemeral human beings. So, my dreams remind me of the tree-medicine within me, the tree-medicine I can offer to the part of myself that suffers the fear of loss, the fear of death.

In a previous post [“Pity the Poor Ego”] I wrote: “If you want to find the Ego in a dream, look for the one who’s suffering, because the Ego always suffers when reality doesn’t conform to what the Ego believes is important.” By this definition, the Ego in this particular dream is the woman who clings to her special tree and cannot bear to let go. The “I” character in the dream—the one I’m most identified with—has a more complex role that matches the role I find myself holding at this threshold in my waking life. While part of me tries to solve the problem that the suffering Ego would love to have me solve, another part of me holds her ground between that Ego and a deeper wisdom—making the connection between them.

My Ego (the woman in the dream) needs to save her tree, to save herself; she needs to find a way to prevent death from cutting in and bulldozing everything she loves. I ponder her problem, and feel her desperation. But I don’t have a solution. Instead, I place a hand on her back and a hand on the tree, and I bring them together. The tree-medicine flows through me. The three of us cannot be separated, and all the other living cedars in a row, and all the ghost-trees that once made up a forest here, all of us are rooted in the earth together, letting life rise up in us like sap.

As I explored this dream, I began to trust myself more—trusting the connection between myself and the fundamental, immortal essence of all living beings. At first, I didn’t think much of those doorways through some of the tree trunks. I thought of them as ugly wounds, imposed upon the trees by the heedless human business of development and destruction. After all, those thousand-year-old giant “tunnel trees” in the great redwood forests eventually died because people had cut out their hearts to run roads through. But a doorway through a dream tree does no harm: the tree is healthy, in spite of the gaping hole. In fact, the more I look at that doorway now, the more I see it as an opening, a portal through which I can reach the other side.

Paradoxically, our destructive human business, the plans and projects we devise to avert loss and fear, can sometimes open our hearts. We can come to understand the selfishness and neediness that leads us all to try to control and subdue the natural world, just as we would like to control and subdue death. And if we can see through our own motivations, our vision expands. That hole is indeed a doorway, an invitation to stoop down and step through. In a dream, the doorway doesn’t have to be big enough to accommodate me—you know, my dream-ego can get smaller, crossing that threshold. Can yours? Let’s try it. Maybe we can step through that doorway, through the tree’s heartwood… And maybe there’s a flourishing forest on the other side.

Beyond Dead Ends: Accepting the Kestrel’s Invitation

Recently, I shared a dream about a hawk, and explored ways of working with dreams that present us with our “problems.” Since I wrote that article [“Seeing With Fresh Eyes: Finding Meaning in Problem Dreams”], more hawks have appeared both in my dreams and in my waking life. They seem to be heralds of a new way of seeing and being, presenting me with a challenge to open my eyes, my mind, and my heart to new possibilities.

The hawk in my previous dream was a juvenile Sharp-Shinned Hawk: a small hawk that generally hunts in forested areas. Within a week of that dream, I saw a hawk exactly like this in two different places. Both times, the hawk appeared unexpectedly, landed close to me, and seemed to look straight at me. Up until then, I’d seen many adult Sharp-Shinned Hawks, but no juveniles. I knew from the field guide that juveniles have different markings—plain brown and white, rather than the more detailed adult markings—but I’d never encountered a juvenile up close (except in my dream). Seeing these juvenile hawks when I did seemed significant. At the very least, it suggested to me that my dream was both meaningful and currently active in my life.

Then, I had a second hawk dream about a different kind of hawk: a Kestrel. A Kestrel—also called a Sparrowhawk—is a very small falcon with extraordinarily colorful markings. Kestrels hunt by hovering high in the air, beating their wings rapidly in place (like “treading water”), looking for their prey below. This dream also includes my deaf black cat, Toby, who died of a neuro-muscular disease (not too different from the neuro-muscular disease I’m coping with myself) last year, while he was still quite young. He was a sweetheart, very brave and innocent, funny and affectionate—I’m still wrestling with his death, not fully able to accept it.

Toby Wants To Fly: Toby’s on a leash outside with me, and I need to get him home safely. I lift him in my arms, holding him tightly, and hurry. It’s a long way. I have to get across a large, busy intersection and traffic circle. We’re surrounded by loud trucks, car horns, shouting voices, city sounds… I’m so afraid that Toby will get spooked and struggle to escape, but then I remember that he is deaf, so of course it isn’t noisy for him. He’s alert in my arms, looking around with calm curiosity at everything.

We get beyond the city, and I have to climb a little hill covered in low, heather-like shrubs. Suddenly, a stunningly beautiful Kestrel flies right up to us, and hovers in the air at head-level, just a few feet away—looking straight at us with a piercing gaze. Toby struggles to get free, to leap after the Kestrel. I cling to him, desperately determined to hold onto him. I can’t let him go. I know that if I let him go, he will die. I notice that there’s a second Kestrel in a bush nearby.

Having subdued Toby, I continue on over the top of the hill and begin to descend the other side. Now, it’s getting dark, and the downslope is treacherous because there are white plastic garbage bags full of some unspeakable, dead, rotting stuff scattered everywhere in the shrubbery. It’s difficult to pick my way through the shrubs, without stepping on those bags. Toby’s still wriggling. Perhaps this is a place where people come to do drug deals or shoot up, a real “dead end place.” I’m not scared, but the downslope is ugly, grim and sad. I need to get Toby home.

Because of his deafness and his obliviousness to danger, Toby would not have been safe outside; he was an “indoor cat” his whole life. I never took him out on a leash (except in this dream). But I loved to hold him in my arms, whenever he would let me, and I wished I could have held him like that forever.

Throughout the dream, I’m motivated by seeking “safety” and “home.” I’m apparently willing to ignore the powerful invitation of the Kestrel, because my strongest need is to get Toby home safely. When members of my peer dream group pointed out how clearly the dream was offering an opportunity to let go, I insisted that if I let go, he would die. Maybe I would die.

But the contradiction is evident: Toby is already dead. And this is a dream: Anything is possible. If I had been lucid in this dream, aware that I was dreaming, I would have realized that I could release him—he would go free, maybe fly into the air after the Kestrel. He could not be harmed. He is already home, safe. I’m the one who’s afraid. I’m the one who’s deaf to the call of the Kestrel, and who trudges on, “over the hill,” in the bleak landscape of decay and death.

This dream, like most of my dreams lately, reflects how I’m dealing with my own mortality and health challenges, and also how I’m seeking meaning in my life.

I have a disease (Radiation Fibrosis Syndrome) that makes me vulnerable in some of the same ways that Toby was vulnerable. I long for a safe place to rest, but, at the same time, I understand that my physical symptoms and uncertain prognosis put me in a situation that is potentially a spiritual opportunity. Every moment of every day, I’m meeting the unknown. I don’t know how quickly the damage to my upper spine and heart will progress—and I don’t know whether these conditions will cripple or kill me, sooner or later. I don’t know how to proceed with my work commitments, since my ability to undertake long-term projects is entirely unpredictable. I’m holding on, desperately, to the things I treasure about my life, afraid that the clamor of the busy world around me will sap my remaining resources, or distract me into wasteful, exhausting digressions. But I know from many years of inner work that this open-ended experience of not-knowing gives me a chance to question my assumptions, release my need for control, and surrender to the freshness of a life without agendas and absolutes.

Yet my dream tells me that I’m not as open as I truly want to be. I’m holding on tightly, believing that death, or at least a painful loss, is the inevitable outcome of a leap into the unknown.

What if I let Toby leap after the Kestrel? My dreamworker friends also mentioned the phrase, “A bird in the hand is worth two in the bush.” The second Kestrel waits “in the bush” nearby. Both Kestrels are wild and free. My “bird in the hand,” my beloved cat, wants to be wild and free, too. But I’m holding onto him. I wonder… How am I holding myself back? Do I think that possessing my life is more important than living it? Continue reading

Initiation for Grown-ups: Dreaming Into Maturity

initiation imageDuring times of deep change, dreams don’t just guide us through the chaos of transitional threshold experiences, they can also participate in our initiation into the next phase of life. In fact, a dream may actually be an initiation in itself.

Traditionally, development from childhood to adulthood is acknowledged by significant rites of passage: in some cultures, there are vision quests and initiation ceremonies, and in other cultures there are graduation parties and college entrance exams. Then, as life goes on, there are relationship passages as family roles evolve, work passages as career roles evolve… But where are the rites of passage for later life? Retirement, bereavement, physical aging and death… Often, these passages are treated as if they mark only an absence—the lack of something that had previously defined us, the encroachment of time on our meaningful lives.

How can we trust the new and strange kind of meaning that comes along with the real losses and changes in later life? How do we recognize the passage from a social identity based on tangible accomplishment, action, and independence to a deeper, more mature, elder adulthood, which includes a fuller awareness of mortality and interdependence?

Late middle age is a time of profound transformation. This passage includes the physical changes of the aging body, the changes in perspective and understanding that come with cumulative life experiences, the professional and social changes that come with altered work priorities and abilities, and the spiritual changes that come with the recognition of death (our own and others’) as a direct influence on our lives. In the course of these changes, we redefine ourselves…

For me, health issues, career issues, and the deaths of my parents and several friends this past year marked deep change. I’m always in the midst of some sort of transition or other, but this has been a particularly big one. Without a culturally-sanctioned rite of passage, it’s easy to feel lost, even though I’m closely connected to the community of my peers and friends who are passing through a similar process of transformation. We are becoming more aware of our own aging, and we are facing the losses of loved ones. But how do we find ourselves on the other side of this transition? What are we inheriting? What are we becoming? And what do we have to offer the next generation?

These are questions about initiation. Initiation is a process which represents not only an ending, but a new beginning. Initiation acknowledges, and celebrates, our completion of one stage of life, and turns us toward the possibilities ahead… giving us a gentle, encouraging nudge forward.

My dreams have been helping to initiate me into a new maturity. I ask myself: What is the difference between the person I have been and the person I am becoming? And dreams offer responses, because dreams come from an unbounded sense of self, which includes not only what I think I am, but also what is possible for me. And then, dreams go beyond “me” completely.

Part of the initiation into full maturity is the acceptance of experiences that go beyond the questions we are asking. Here is one of my recent initiation dreams: Continue reading

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